Bettina rheims assembles more than 300 of her favorite pictures from the past 35 years. Shooting anonymous subjects and global icons like Kate Moss and Naomi Campbell, Rheims has pushed at the breaking point between beauty and imperfection. This unique personal record of a defiant career that has shaken up iconography brings together renowned series like Chambre Close, Heroines, and Rose, cest Paris. Since her first photographs in the late 70s, Bettina Rheims has defied the predictable. From her series on Pigalle strippers 1980 to her cycle on the life of Jesus in I.N.R.I. 1998, from Chanel commercials to Gender Studies 2011, her work has shaken up traditional iconography and pushed restlessly at the breaking point between two great human preoccupations: beauty and imperfection. This Rheims retrospective showcases more than 300 photographs from 35 years of daring, often defiant photography. Personally selected and assembled by Rheims, the collection brings together renowned series such