Category
Theory of music & musicology
Store
Wordery
Brand
Wesleyan university press
Punk Ethnography : 9780819576538 : 0819576530 : 18 Oct 2016 : A critical companion to the radical DIY record label that challenges the conventions of ethnography, representation, and the category of "world music" This ground-breaking case study examines record production as ethnographic work. Since its founding in 2003, Seattle-based record label Sublime Frequencies has produced world music recordings that have been received as radical, sometimes problematic critiques of the practices of sound ethnography. Founded by punk rocker brothers Alan and Richard Bishop, along with filmmaker Hisham Mayet, the label's releases encompass collagist sound travelogues; individual artist compilations; national, regional and genre surveys; and DVDs-all designed in a distinctive graphic style recalling the DIY aesthetic of punk and indie rock. Sublime Frequencies' producers position themselves as heirs to canonical ethnographic labels such as Folkways, Nonesuch, and Musique du Monde, but their aesthet
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