Anthropology and photography have been linked since the nineteenth century, but their relationship has never been entirely comfortable-and has grown less so in recent years. Nostalgia for the Present aims to repair that relationship by involving intentional participants in an inclusive conversation; it is the fruit of a collaboration among an ethnographer, a photographer, a group of Moroccan farmers, and Abdelkrim Bamouh-a native intellectual whose deep understanding of rural Morocco made him not merely a translator but a facilitator of the dialogue. The result is an arresting portrait of everyday life in Tagharghist, a contemporary High Atlas village. The pictures are central, and the text built around them creates a dialogical form of visual ethnography. Nostalgia for the Present is both a memorialization of a people and a way of life, and a rich foray into the potential of interdisciplinary collaboration. The photos in this book evoke a sense of nostalgia, a longing, and the wor