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ENbook.sk

pA melding of many types of music such as ragtime, spiritual, jug band, and other influences came together in what we now call the blues. iBlues A Regional Experiencei is the most comprehensive and up-to-date reference book of blues performers yet published, correcting many errors in the existing literature. ppppArranged mainly by ecoregions of the United States, this volume traces the history of blues from one region to another, identifying the unique sounds and performers of that area. Each section begins with a brief introduction, including a discussion of the region's culture and its influence on blues music. Chapters take an in-depth look at blues styles from the following regions Virginia and the tidewater area, Carolinas and the Piedmont area, the Appalachians and Alabama, the Mississippi Delta, Greater Texas, the Lower Midwest, the Midwest, the Northeast, and California and the West. Biographical sketches of musicians such as B.B. King and T-Bone Walker include parental data an

Blues: A Regional Experience | Eagle Bob | Pevná väzba

pbBreathe the blues into your harmonica bp pBlues harmonica is the most popular and influential style of harmonica playing, and it forms the basis for playing harmonica in other styles such as rock and country. iBlues Harmonica for Dummiesi gives you a wealth of content devoted to the blues approach--specific techniques and applications, including bending and making your notes sound richer and fuller with tongue-blocked enhancements use of amplification to develop a blues sound blues licks and riffs constructing a blues harmonica solo accompanying singers historical development of blues styles and important blues players and recordings.p pThe accompanying audio CD features all the musical examples from the book, plus play-along exercises and songs that let you hear the sound you're striving for.p ul liIn-depth coverage of major blues harmonica techniquesli liBlues song forms, improvisation, and accompanying singersli liInformation on blues history and personalitiesli ul pIf you're intr

Blues Harmonica for Dummies | Yerxa Winslow | Pevná väzba

pbThe long-awaited reissue of the sequel to Amiri Baraka's seminal work, iBlues People.ibpBaraka writes with the passion and lyricism that can only come from a jazz critic who is uncompromisingly invested in the social and aesthetic dimensions of the music.br--biWBGObi Newark Public RadiopJones has learned--and this has been very rare in jazz criticism--to write about music as an artist.br--Nat HentoffpiBlack Musici is a book about the brilliant young jazz musicians of the early 1960s John Coltrane, Thelonious Monk, Miles Davis, Ornette Coleman, Cecil Taylor, Archie Shepp, Sun Ra, and others. It is composed of essays, reviews, interviews, liner notes, musical analyses, and personal impressions from 1959-1967. Also includes Amiri Baraka's reflections in a 2009 interview with Calvin Reid of iPublishers Weeklyi.pbLeRoi Jonesb now known as bAmiri Barakab is the author of numerous books of poetry, fiction, and nonfiction. He was named Poet Laureate of New Jersey from 2002 to 2004 by the New

Black Music | Jones | Amiri Baraka LeRoi | Pevná väzba

iBlues for New Orleansi is a generous study of Mardi Gras, but it is also a creative intervention, a passionate explanation and defense of creolization, a cultural rescue operation. It is a furious, blues-tinged, erudite hymn to our greatest vernacular city. Read it and weep read it and rejoice!--Edward Hirsch, President, John Simon Guggenheim Memorial Foundation There is no more powerful celebration of the happy gumbo of life in New Orleans than Mardi Gras. In the aftermath of Hurricane Katrina, as the citizens of New Orleans regroup and some put down roots elsewhere, many people wonder what will become of one of the nation's most complex creole cultures. New Orleans emerged like Atlantis from under the sea, as the city in which some of the most important American vernacular arts took shape. Creativity fostered jazz music, made of old parts and put together in utterly new ways architecture that commingled Norman rooflines, West African floor plans, and native materials of mud and moss

Blues for New Orleans: Mardi Gras and America's Creole Soul | Abrahams Roger | Pevná väzba

Exploring the diverse landscape of American life, the stories in iBlues and Trouble Twelve Storiesi capture the lives of people caught between circumstance and their own natures or on the run from fate, from a Jewish couple encountering a dealer in Nazi memorabilia to the troubled family of a Gulf Coast fisherman awaiting a hurricane. p Tom Piazza's debut short story collection, originally published in 1996, heralded the arrival of a startlingly original and vital presence in American fiction and letters. Set in Memphis, New Orleans, Florida, Texas, New York City, and elsewhere, the stories echo voices from Ernest Hemingway to Robert Johnson in their sharp eye for detail and their emotional impact. New to this volume is an introduction written by the author. Drawing themes, forms, and stylistic approaches from blues and country music, these stories present a tough, haunting vision of a landscape where the social and spiritual ground shifts constantly underfoot.

Blues and Trouble: Twelve Stories | Piazza Tom | Pevná väzba

pNew Yorker James Baldwin once declared that a black man can look at a map of the United States, contemplate the area south of the Mason-Dixon Line, and thus scare himself to death. In iThe Scary Mason-Dixon Line, i renowned literary scholar Trudier Harris explores why black writers, whether born in Mississippi, New York, or elsewhere, have consistently both loved and hated the South. Harris explains that for these authors the South represents not so much a place or even a culture as a rite of passage. Not one of them can consider himself or herself a true African American writer without confronting the idea of the South in a decisive way. pHarris considers native-born black southerners Raymond Andrews, Ernest J. Gaines, Edward P. Jones, Tayari Jones, Yusef Komunyakaa, Randall Kenan, and Phyllis Alesia Perry, and nonsouthern writers James Baldwin, Sherley Anne Williams, and Octavia E. Butler. The works Harris examines date from Baldwin's iBlues for Mr. Charliei 1964 to Edward P. Jones'

Scary Mason | Dixon Line: African American Writers and the South | Harris Trudier | Pevná väzba

Black Music--whether it be jazz, blues, rb, gospel, or soul--has always expressed, consciously or not, its African oral heritage, reflecting the conditions of a minority culture in the midst of a white majority. iBlack Talki is one of those rare books since LeRoi Jones's iBlues Peoplei to examine the social function of black music in the diaspora it sounds the depths of experience and maps the history of a culture from the jazz age to the revolutionary outbursts of the 1960s. Ben Sidran finds radical challenges to the Western, white literary tradition in such varied music as Buddy Bolden's loud and hoarse cornet style, the call and response between brass and reeds in a swing band, the emotionalism of gospel, the primitivism of Ornette Coleman, and the cool ethic of bebop. The musician is the document, says Sidran. He is the information himself. The impact of stored information is transmitted not through records or archives, but through the human response to life.

Black Talk | Sidran Ben | Pevná väzba

iBlues on Stagei presents a new history of the development of the Classic Blues of the 1920s, offering a comprehensive review of various Black singers who recorded and were influential in this era, including Bessie Smith, Trixie Smith, Butterbeans and Susie, and Ma Rainey. The business of music recording and publishing, including songwriting and touring theater circuits, is explored as part of the narrative of how and when these artists became nationally popular. The most highly regarded singers of this period were not folk or rural artists, but rather highly experienced stage professionals whose careers often extended two decades or more prior to their first recordings. These artists, some of the most famous acts on the Black vaudeville and tent show circuits, were preceded in the recording studio by many cabaret and nightclub singers with a different entertainment perspective and were followed by artists who came from a more rural, less professional background. For anyone interested 

Blues on Stage | Clark John L. | Pevná väzba

iBlues Legacyi is a collection of poems inspired by and celebrating various genres of African American music. The poet's voice is stark and clear her lines are uncompromisingly lean and powerful, evoking the deepest, tenacious strains of African American political resistance and endurance. As the poetry moves along in familiar, everyday images, the poet peels back outer layers of experience to reveal the tender, vulnerable, striving energy of a people. iBlues Legacyi refers, then, to a revered music heritage, yes, but also to a way of life fashioned over centuries, characterized by the rhythms of perseverance, self-determination, and affirmation of beauty that have kept the people and their culture alive and evolving. While the poet honors this ancestral past, she also points to the future, appealing to African American women especially to empower themselves, and step confidently into their roles as community torchbearers.

Blues Legacy | Armstrong Jacquese | Pevná väzba

bA moving ode to the Mississippi delta inspired by magical realism and written in vibrant and poetic prose.b piBlues in the Bloodi is an ode to the spring of 1932 in the Mississippi delta, when stifling heat crushed the countryside and threatened the harvest, pervasive injustice ruled the day, and ghostly riders of the Ku Klux Klan spread terror. A panoramic historical and musical portrait, iBlues in the Bloodi follows a poor young Black couple who believe their love for each other will save them from this devastation. Julien Delmaire introduces us to a gallery of figures Blacks, Whites, Native Americans, mulattos, landowners, itinerant bluesmen, preachers, witches, corrupt politicians, prisoners, bootleggers, and Legba, the voodoo god, master of crossroads, who, like an otherworldly detective, watches over people's destinies. As the story unfolds, a world is reborn the delta, the birthplace of the blues, in which oppressed women and men rediscover the voices and rhythms of their human

Blues in the Blood | Delmaire Julien | Pevná väzba

Can a type of music be owned Examining how music is linked to racial constructs and how African American musicians and audiences reacted to white appropriation, iBlues Music in the Sixtiesi shows the stakes when whites claim the right to play and live the blues. pIn the 1960s, within the larger context of the civil rights movement and the burgeoning counterculture, the blues changed from black to white in its production and reception, as audiences became increasingly white. Yet, while this was happening, blackness--especially black masculinity--remained a marker of authenticity. Crossing color lines and mixing the beats of B.B. King, Eric Clapton, and Janis Joplin the Newport Folk Festival and the American Folk Blues Festival and publications such as Living Blues, Ulrich Adelt discusses these developments, including the international aspects of the blues. He highlights the performers and venues that represented changing racial politics and addresses the impact and involvement of audien

Blues Music in the Sixties: A Story in Black and White | Adelt Ulrich | Pevná väzba

A member of Muddy Waters' legendary late 1940s-1950s band, Jimmy Rogers pioneered a blues guitar style that made him one of the most revered sidemen of all time. Rogers also had a significant if star-crossed career as a singer and solo artist for Chess Records, releasing the classic singles That's All Right and Walking By Myself. p In iBlues All Day Longi, Wayne Everett Goins mines seventy-five hours of interviews with Rogers' family, collaborators, and peers to follow a life spent in the blues. Goins' account takes Rogers from recording Chess classics and barnstorming across the South to a late-in-life renaissance that included new music, entry into the Blues Hall of Fame, and high profile tours with Eric Clapton and the Rolling Stones. Informed and definitive, Blues All Day Long fills a gap in twentieth century music history with the story of one of the blues' eminent figures and one of the genre's seminal bands.

Blues All Day Long: The Jimmy Rogers Story | Goins Wayne Everett | Pevná väzba

bNow in paperback, the definitive anthology from a writer who set the standard for newspaper pop-music criticism iThe Philadelphia Inquireri, the iNew York Timesi' first chief pop music critic and iRolling Stonei contributor Robert Palmer.b pRobert Palmer's extraordinary knowledge and boundless love of music were evident in all his writing. He was an authority on rock  roll, blues, jazz, punk, avant-garde, and world music--often discovering new artists and trends years even decades before they hit the mainstream. Noted music writer Anthony DeCurtis has compiled the best pieces from Palmer's oeuvre and presents them here, in one compelling volume. pA member of the elite group of the defining rock critics who emerged in the 1960s and 1970s, Palmer possessed a vision so complete that, as DeCurtis writes, it's almost as if, if you read Bob, you didn't need to read anyone else. iBlues  Chaos ifeatures some of his most memorable pieces about John Lennon, Led Zeppelin, Moroccan trance music, 

Blues & Chaos: The Music Writing of Robert Palmer | Palmer Robert | Pevná väzba

pbWant to become the coolest possible version of yourselfbp pTime to master the blues guitar. Even if you don't read music, iBlues Guitar For Dummiesi lets you pick up the fundamentals instantly and start jamming like your favorite blues artists.p piBlues Guitar for Dummiesi covers all aspects of blues guitar, showing you how to play scales, chords, progressions, riffs, solos, and more. This hands-on guide is packed with musical examples, chords charts, and photos that let you explore the genre and play the songs of all the great blues musicians. This accessible how-to book will give you the skills you need to p ul liChoose the right guitar, equipment, and stringsli liHold, tune, and get situated with your guitarli liPlay barre chords and strum to the rhythmli liRecognize the structure of a blues songli liTackle musical riffsli liMaster melodies and solosli liMake your guitar sing, cry, and wailli liJam to any type of bluesli ul pAdditionally, a bonus CD is included so that you can lis

Blues Guitar for Dummies | Chappell Jon | Pevná väzba

brPearl Cleage is a passionate, challenging playwright whose concerns for the species are unmistakable and profound. As a woman, as an African-American, her artistic objectivity and sensitivity to history combine with, but do not overshadow, her capacity to dig for truth and present it flat out as she sees it - with a finger snap or a shout and sometimes with a wink. Among the most satisfying roles I've undertaken on stage is surely Miss Leah in iFlyin' Westi. She brings the bushel nuggets of drama and humor that capture the ear, the heart and the imagination. She's devilish, too. -Academy AwardR Nominee Ruby Dee pMs. Cleage writes with amazing grace and killer instinct. -Alvin Klein, iNew York Times i pPearl Cleage is a brilliant storyteller. I am always engrossed in the drama and compassion she brings to her characters. iFlyin' Westi, iBourbon at the Borderi, iBlues for an Alabama Skyi, iLate Bus to Meccai and iChaini are marvelous examples of a playwright at the top of her form, bra

Flyin' West and Other Plays | Cleage Pearl | Pevná väzba

bThis companion to the classic iIf You Meet the Buddha on the Road, Kill Him!i takes us on a spiritual search for inner peace with daily universal reflections. b pFrom renowned psychotherapist, philosopher, and risktaker Sheldon Kopp, iBlues Ain't Nothing But a Good Soul Feeling Bad ilyrically explores the uncertainties that plague us all. With insight and accessible writing, this remarkable book guides us to look inwardly and find the answers to questions such as p -How do I find a self of my ownbr -Where am I in my lifebr -Who am I in my worldbr -Where do I go from here p Challenging and provocative, iBlues Ain't Nothing But a Good Soul Feeling Bad ihelps us face our flaws and learn to accept and love all that we are.

Blues Ain't Nothing But a Good Soul Feeling Bad: Daily Steps to Spiritual Growth | Kopp Sheldon | Pevná väzba

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A History of the Somerset Carthusians is a book written by Ethel Margaret Thompson in 1895. The book is a detailed account of the Carthusian order, a Catholic monastic order that was founded in the 11th century. The focus of the book is on the Carthusian monastery in Somerset, England, which was established in the 12th century.The book covers the history of the Somerset Carthusians from their founding to the dissolution of the monasteries in the 16th century. It provides a detailed account of the daily life of the monks, their religious practices, and their interactions with the outside world. The book also explores the role of the Somerset Carthusians in the broader context of English history and the Catholic Church.Thompson's writing is scholarly and well-researched, drawing on primary sources such as manuscripts and official documents. The book includes numerous illustrations and photographs, as well as maps and diagrams to help readers understand the layout of the monastery and its

A History Of The Somerest Carthusians | 1895 | Thompson Ethel Margaret | Pevná väzba

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