“One enters a room and history follows; one enters a room and history precedes. History is already seated in the chair in the empty room when one arrives.” Now entering its third decade in print, Dionne Brand’s groundbreaking A Map to the Door of No Return has emerged as a modern classic, a disquisition on ‘being’ in the Black diaspora. “This book is a world, a triumph of art and thought, a compass for the ages.” —David ChariandySince its first publication in 2001, Dionne Brand’s groundbreaking disquisition on being in the Black diaspora, A Map to the Door of No Return, has emerged as a modern classicThe door, in Brand’s iconic schema, represents the point of rupture where the ancestors of the Black diaspora departed one world for another: the place where all names were forgotten, and all beginnings recast. “This door,” writes Brand, “is not mere physicality.It is a spiritual location. . . . Since leaving was never voluntary, return was, and still may be, an intention, however deeply b