Emperor Maximilian I (1459-1519) treated the spectacle of his tournaments, hastiludes, and mummeries as an art form unto itself. One of modern Europe’s most important sovereigns, he shaped the continent’s political map well into the 20th century, not least due to his keen awareness of the power of a good public display towards diplomacy and networking.From 1512 to 1515, Maximilian commissioned a massive, exquisitely detailed and illustrated manuscript of the 64 tournaments.The 255 elaborately gilt and silvered miniatures were more than just a collection of jousting scenes from the Habsburg court—from the grand melee and tilting at the lists to foot combat and closing ceremonies—they were an allegorical epic telling the story of an intrepid hero, a knight errant who is no other than Maximilian himself.In the guise of his literary alter ego “Freydal”, the Emperor jousted to prove his love for a noble lady. The story ends with the lady agreeing to marry him—she is no other than Mary of Bu