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Poul Henningsen designed the three-part lampshade back in 1925/26, and the first models, created with the help of Louis Poulsen, were exhibited at a show in Paris. This collaboration lasted until P. Henningsen's death in 1967. Throughout his life, Poul Henningsen was committed to creating lamps with glare-free light that cast soft shadows and direct the light cone to the right place. The PH 2/1 pendant lamp is one of 30 models in the series with a three-part shade, three of which are outdoor lamps. Poul Henningsen was not only concerned with designing a lamp, but an entire system, which over the years resulted in around a thousand models. The large range consists of table, floor, and wall lamps, as well as numerous chandeliers, which became increasingly popular in the 1930s as high-hanging lighting for homes. There were countless possible combinations, as the lights were available in a wide variety of sizes and colors.

Louis Poulsen - PH 2/1 Crown Lamp

The PH 2/1 Wall Lamp is based on the iconic three-shade system Poul Henningsen developed in 1925/26 in collaboration with Louis Poulsen, shaping light design for decades. His goal was to create soft, glare-free illumination that brightens a room while minimising shadows.  Using a scientific approach inspired by the lituus curve, Henningsen ensured light is distributed evenly across the shades. This principle became the foundation of an entire system of nearly 1,000 modelsnow celebrated worldwide as a design classic.  The PH 2/1 is a hybrid: the top shade is approx. 20 cm, while the two lower shades come from the 1/1 seriesideal for lower mounting heights without compromising light quality. Early versions were made of metal, later also of glass for even softer diffusion.  The result is a timeless lighting system with functional elegance, designed to illuminate interiors softly, evenly and without glare.

Louis Poulsen - PH 2/1 Wall Lamp, White Opal Glass / With Cord / With Switch

The PH 3½2½ table lamp was designed in 1928. It is one of many projects Poul Henningsen developed alongside his world-famous three-shade lighting system. The lamp follows Henningsens original design, including the traditional shade holders with adjustment screws. The upper metal shade features a rolled edgea distinctive detail that increases durability and makes the shade appear thicker than it actually is.  The two lower shades are made of mouth-blown opal glass. Henningsen believed this combination used the light source more efficiently, reflecting light off the white interior of the top shade and directing it downwards. The stand is made of brown-painted copper, giving it the same appearance as the bronzed brass used in lamps of the timea process no longer used today due to environmental concerns.

Louis Poulsen - PH 3½-2 ½ Metal Table Lamp, Green

The pendant lamp emits glare-free, downward-directed light. At the same time, it illuminates its own frame, creating a soft, pleasant glow from its center. The PH 5 was designed by Poul Henningsen in 1958 in response to the many changes that light bulb manufacturers were making to the shape and size of light bulbs at the time. Henningsen considered these changes to be completely pointless. The PH 5 was suitable for all types of light sources and bathed its surroundings in a pleasant light. This made the PH 5 so famous that it became known asthe PH lamp,which still fits perfectly into modern interiors today. The PH 5 Mini is in no way inferior in this respect. The smaller version of the PH 5 was launched in 2017. It was designed based on Poul Henningsen's original design, with the upper shade having a diameter of approximately 30 cm. Henningsen pursued a special scientific approach to lighting and, based on his three-shade system from 1925, developed numerous lamps that give light a

Louis Poulsen - PH 5 Mini Pendant Lamp, Hues of Blue

The iconic Panthella lamp from 1971 is one of the most popular lamps by designer and architect Verner Panton (1926-1998). When the Panthella designs first saw the light of day, Verner Panton designed them with a translucent opal shade. This original design was later reintroduced, and in combination with the contrasting materials of the Panthella, it creates an elegant and contemporary look. The Panthella 320 table lamp produces an atmospheric light that gently and pleasantly illuminates the surrounding area.

Louis Poulsen - Panthella 320 Table Lamp, Opal White

Poul Henningsen designed hundreds of lamps based on the three-shade system he developed in 1926. This system enables unmatched lighting quality for every conceivable requirement. Many of his lamp designs include a number. This refers to the shade sizes of the respective lamp. The PH 3/3 is a pendant lamp in afullsize, which is characterized by its attractive compact appearance. The upper shade measures approx. 30 cm, and the middle and lower shades follow the large shade in a ratio of 3:2:1. Poul Henningsen'swholesizes are designed to be particularly glare-free. They can therefore be placed high up in a room, where they provide high-quality lighting and create a cozy atmosphere.

Louis Poulsen - PH 3/3 Pendant Lamp, White Opal Glass

The PH 3 ½-3 glass pendant lamp is one of many progressive projects developed by Poul Henningsen in connection with the design of his world-famous three-shade system from 1926. Poul Henningsen devoted much of his life to taming electric light. His three-shade design is based on a Lituus curve, which allows the light source to be used optimally. He continuously carried out calculations and tests in his work. The shape of the shades was determined by how they had to shape and reflect the light. When designing the lamp itself, he placed great importance on ensuring that it was glare-free. The white opal glass shade gives the lamp a soft overall look and illuminates the surroundings with a perfectly harmonious and glare-free light that only the classic three-shade system can provide. 

Louis Poulsen - PH 3½-3 Pendant Lamp, High Lustre Chrome Plated

Poul Henningsen designed the three-part lampshade back in 1925/26, and the first models, created with the help of Louis Poulsen, were shown at an exhibition in Paris. This collaboration lasted until P. Henningsen's death in 1967. Throughout his life, Poul Henningsen was committed to creating luminaires with glare-free light that cast soft shadows and direct the light cone to the right place. The PH 4½ 4 Glass Pendant Lamp is one of 30 models in the series with a 3-part shade, three of which are outdoor lamps. Poul Henningsen was not only concerned with designing a lamp, but an entire system, which over the years has resulted in around a thousand models. 

Louis Poulsen - PH 4½-4 Pendant Lamp

The PH 2/1 Table Lamp is made from three-layer, mouth-blown white opal glass. It emits soft, harmonious, and pleasant light, primarily directed downward. This lamp is based on Poul Henningsens celebrated three-shade system, which he designed in 1925 with the goal of giving appealing, glare-free light a clear form.  The first lamp using this three-shade system was developed in collaboration with Louis Poulsen for the Paris World Exhibition in the same year. The so-calledParis Lampreceived a gold award. Henningsen pursued a rigorous, scientific approach to lighting and designed additional lamps based on this system. Using the lituus-curve-based three-shade system, he achieved an even distribution of light. Furthermore, the glass diffuses the light, preventing glare and unwanted shadows.  The numbers in the PH lamp names indicate the size of the shades. The top shade of the PH 2/1 Table Lamp has a diameter of approximately 20 cm, while the lower shades are taken from the 1/1 model.

Louis Poulsen - PH 2/1 Table Lamp, Black Metallised

The PH 3/2 Table Lamp is made from three-layer, mouth-blown white opal glass. It emits soft, harmonious, and pleasant light, primarily directed downward. This lamp is based on Poul Henningsens celebrated three-shade system, which he designed in 1925 with the goal of giving attractive, glare-free light a defined form.  The first lamp using this three-shade system was created in collaboration with Louis Poulsen for the Paris World Exhibition in the same year. The so-calledParis Lampwas awarded a gold medal. Henningsen pursued a rigorous, scientific approach to lighting and developed additional designs based on this system. Using the lituus-curve-based three-shade system, he achieved even light distribution. Furthermore, the glass diffuses the light, reducing glare and unwanted shadows.  The numbers in the PH lamp names indicate the size of the shades. The top shade of the PH 3/2 Table Lamp measures approximately 30 cm in diameter, while the lower shades come from the 2/2 model.

Louis Poulsen - PH 3/2 Table Lamp, Black Metallised

Arne Jacobsen designed this lampas well as many other elementsin 1957 for the SAS Royal Hotel in Copenhagen. The small table lamp creates a pleasant, downward-directed light thanks to the white lacqueredinside of its shade. The shade can also be tilted to adjust the light emission.The AJ lamp series is probably Arne Jacobsen's most famous design worldwide. In addition to the AJ Mini table lamp, the AJ lamp series also included a larger table lamp, a floor lamp, a wall lamp, and a permanently installed table lamp. All of these lamps were part of the SAS Royal Hotel when it opened in 1960. Louis Poulsen introduced the AJ Mini table lamp in 2020 in honor of the hotel's 60th anniversary. In addition, in memory of Arne Jacobsen, all AJ lamps are now available again in their stylish original stainless steel design. Today, the elegant AJ Mini table lamp is not only an attractive decoration for windowsills, bookshelves, or small tables. It also provides pleasant, high-quality lighting.

Louis Poulsen - AJ Mini Table Lamp, Pale Petroleum

The luminaire was originally designed. St. Catherine's College was inaugurated in 1963 and designed by Arne Jacobsen in a modernist architectural style that contrasts with the otherwise classical architecture of the surrounding Oxford University. The AJ Oxford table lamp was originally designed as a permanently installed luminaire for the college's impressive dining hall, which seats 350 people with its long rows of oak tables. While the lamps on the tables form the focal point, clerestory windows provide natural lighting. AJ Eklipta wall lights are also mounted on the walls, creating diffuse general lighting. The luminaire can still be found today at St. Catherine's College, which continues to be used for both teaching and as a student residence. Similar to the AJ luminaire series, the AJ Oxford has a slender rod that transitions seamlessly into the round base. With its graphic style and monochrome color palette, the timeless AJ Oxford table lamp fits effortlessly into any home. The t

Louis Poulsen - AJ Oxford Table Lamp, Opal / 410 mm

Designed in 1971, the Panthella lamp is one of Verner Panton's design icons. This is thanks to its unique expression, in which both the stand and the shade act as reflectors due to their characteristic organic shapes. The Panthella 250 Portable table lamp is a smaller version of Verner Panton's popular Panthella table lamp. The Panthella 250 table lamp can be easily placed on window sills, shelves, or tables. No matter which color or material you choose, the Panthella 250 Portable table lamp provides exceptional light in any environment.

Louis Poulsen - Panthella 250 Portable Lamp, Opaque Orange

The PH 3½2½ Glass Table Lamp was designed in 1928. It is one of many progressive projects Poul Henningsen developed alongside his famous three-shade system from 1926. Henningsen dedicated much of his life to mastering electric light. His three-shade design is based on a lituus curve, allowing the light source to be used with maximum efficiency. Throughout his work, he conducted continuous calculations and experimentsthe shape of each shade was determined by how it should direct and reflect light.  For Henningsen, glare-free illumination was essential. The first PH table lamp was completed in early 1927 and introduced as an alternative to low-hanging pendant lights. The white opal glass shade gives the lamp a soft, elegant appearance while illuminating its surroundings with perfectly balanced, glare-free lighta quality only the three-shade system can provide.  The mouth-blown, three-layered opal glass is glossy on top and matte sandblasted underneath, creating exceptionally gentl

Louis Poulsen - PH 3½-2 ½ Table Lamp, Brass Metallised

Renowned functionalist architect Vilhelm Lauritzen designed the VL 56 pendant lamp for Folkets Hus in Copenhagen's Vesterbro district. Originally designed and built for the Danish labor movement, the building opened in 1956 and is now used as a concert hall under the name Vega. The building is a total work of art, meaning that Lauritzen designed everything in the building, from door knobs, stairwells, and electrical outlets to furniture and lighting. The VL 56 pendant lamp is one of the lights Vilhelm Lauritzen designed for Vega and still hangs above the wood-paneled bar adjacent to the concert hall. The chrome and brass versions were reintroduced in 2023 with slight adjustments and improvements.

Louis Poulsen - VL 56 Pendant Lamp, High Lustre Chrome Plated

The nameRumeeis a playful blend of meanings derived from Danish and Englisha combination of the Danish wordrum(room) and the English wordme, while also echoing the sound ofroomie,an informal term for a roommate. This play on words refers to someone with whom you share your home, a companion who evokes a feeling of warmth and security. And because the Rumee lamp is portable, you can bring the cosiness of home to any room you wish. Whether you're reading a book to your child or playing with friends, this lamp provides comfort and joy. It's always there to share that feeling at home or on the go.

louis poulsen