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Vintage American Industrial Nautical Tripod Floor Lamp, Shade Swivel Floor Lamp SIZE: 195cm max. height, 125cm minimum height. brass shade diameter is 20cm. It takes standard E27 edison bulb (not included). Our Large Nautical Signal Light Floor La...

Vintage American Industrial Nautical Tripod Floor Lamp, Shade Swivel Floor Lamp

Nautical Maritime Aluminium Hanging Light Shade Passageway Bulkhead Ship Industrial Navigation Restaurant Cafe Lights Holder Type : E27 Weight : 1.5 KG Approx 21 in Length 11 in Shade Dia  ABOUT US  We are Professional Manufacturers also well-know...

Maritime Slave Brass Aluminium Shade Passageway Bulkhead Hanging Light Nautical

industrial

Featuring a classic lantern design in lightweight paper and ribbed bamboo frame, HAY's Paper Shade series in emits a soft light and can be used anywhere in the home. Available in a variety of different shapes.

Paper Shade Lampshade - HAY, Round / H76 x W80 x L80 cm

The PH 2/1 Table Lamp is made from three-layer, mouth-blown white opal glass. It emits soft, harmonious, and pleasant light, primarily directed downward. This lamp is based on Poul Henningsens celebrated three-shade system, which he designed in 1925 with the goal of giving appealing, glare-free light a clear form.  The first lamp using this three-shade system was developed in collaboration with Louis Poulsen for the Paris World Exhibition in the same year. The so-calledParis Lampreceived a gold award. Henningsen pursued a rigorous, scientific approach to lighting and designed additional lamps based on this system. Using the lituus-curve-based three-shade system, he achieved an even distribution of light. Furthermore, the glass diffuses the light, preventing glare and unwanted shadows.  The numbers in the PH lamp names indicate the size of the shades. The top shade of the PH 2/1 Table Lamp has a diameter of approximately 20 cm, while the lower shades are taken from the 1/1 model.

Louis Poulsen - PH 2/1 Table Lamp, Black Metallised

Ceramic Cone Pendant is a simple, focused light with a matt, fine-textured surface in unglazed clay.   Each shade is cast and fired individually, giving natural variations in form, size, and colour that make every piece unique. For the coloured versions, the first layer of white porcelain is poured out early and replaced with a tinted clay. This gives the shade its light ochre or warm umber exterior. The white version stays slightly translucent and glows gently in the evening, while the coloured versions remain opaque and cast a warmer, more focused downlight.   Defined by its clean cone form, the pendant provides calm, direct illumination for dining areas, counters or smaller spaces where focused light is needed.

Ceramic Cone Pendant Lamp, Umber Brown

The Ventus pendant lamps are a collaboration between Frama and Danish designers Included Middle, in which the traditional pendant cord receives an architectural bend, creating new forms in the environment it is placed.  The pendant is capped off by an opal glass light shade which exudes the warm glow of an integrated LED bulb within.

Frama - Ventus Pendant - Brass - Form 2

Each coffee cup is hand-painted with anemones and a warm mauve shade combined with subtle green and soft brown tones. The light asymmetrical shapes breathe creativity into the porcelain and give a craft appearance. With a soft colour palette and unconventional design, this tableware adds a touch of eccentric elegance to every coffee moment.  Set of two Cups and Saucers.

Serax x Marni - Coffee Cup High with Saucer 2-Set Giftbox - Anemone Milk Midnight Flowers

An exciting collaboration with Japanese designer Naoto Fukasawa, the Pao Glass Pendant is named after the soft, glowing shape of traditional Mongolian Pao tents. By keeping the aesthetics modest and simple Fukasawa creates a beautiful everyday object that is in harmony with its environment. Featuring a custom LED light source and diffuser nestled within the opal glass shade, Pao offers a functional output of light, whilst still enabling a warm, homely glow. Available in different sizes, the functionality and the deliberate simplicity of the design make it suitable for a wide range of spaces and uses in domestic and corporate environments.

HAY - Pao Glass Pendant Light

Sam Weller's Anagram Table Lamp fuses functionality with visual appeal to create a table lamp with a robust construction and strong personality. Featuring a generously curved, glossy shade that sits atop two split anodised aluminium legs, the design's contrasting elements update the familiar lamp typology with an original and contemporary aesthetic. The durable sheet steel shade and tube legs are built to last, creating a solid presence that is characterised by its intuitive functionality. The lamp features an on/off toggle switch and uses standard retrofit bulbs, creating an ambient downlight that makes it equally suitable as a desktop-based lamp, or as a supplementary light source placed on a sideboard or windowsill. The shade is available in several different colour options.

HAY - Anagram Table Lamp, Iron Black

Arne Jacobsen designed this lampas well as many other elementsin 1957 for the SAS Royal Hotel in Copenhagen. The floor lamp creates a pleasant, downward-directed light thanks to the white lacquered interior of its shade. The shade can also be tilted to adjust the light emission. The AJ lamp series is probably Arne Jacobsen's most famous design worldwide. In addition to the AJ floor lamp, the AJ lamp series also included a larger and a smaller table lamp, a wall lamp, and a permanently installed table lamp. All of these lamps were part of the SAS Royal Hotel when it opened in 1960. The clean, elegant form of the AJ lamp with its flawless light was found throughout the hotelin copper and stainless steel versions. Together with the AJ Royal, the AJ lamp series was part of Jacobsen's overall concept for the hotel. Virtually every detail was designed by Jacobsen himself. The straight lines and combination of straight and curved angles in the design of the AJ lamp can also be seen i

Louis Poulsen - AJ Table Lamp, Warm Grey

Poul Henningsen designed the three-part lampshade back in 1925/26, and the first models, created with the help of Louis Poulsen, were exhibited at a show in Paris. This collaboration lasted until P. Henningsen's death in 1967. Throughout his life, Poul Henningsen was committed to creating lamps with glare-free light that cast soft shadows and direct the light cone to the right place. The PH 2/1 pendant lamp is one of 30 models in the series with a three-part shade, three of which are outdoor lamps. Poul Henningsen was not only concerned with designing a lamp, but an entire system, which over the years resulted in around a thousand models. The large range consists of table, floor, and wall lamps, as well as numerous chandeliers, which became increasingly popular in the 1930s as high-hanging lighting for homes. There were countless possible combinations, as the lights were available in a wide variety of sizes and colors.

Louis Poulsen - PH 2/1 Crown Lamp

Poul Henningsen designed the three-part lampshade back in 1925/26, and the first models, created with the help of Louis Poulsen, were exhibited at a show in Paris. This collaboration lasted until P. Henningsen's death in 1967. Throughout his life, Poul Henningsen was committed to creating lamps with glare-free light that cast soft shadows and direct the light cone to the right place. The PH 3/2 pendant model is part of a series of 30 models with a three-part shade, three of which are outdoor lamps. Poul Henningsen was not only concerned with designing a luminaire, but an entire system, which over the years resulted in around a thousand models. The large range consists of table, floor, and wall lamps, as well as numerous chandeliers, which became increasingly popular in the 1930s as high-hanging residential lighting.

Louis Poulsen - PH 3/2 Pendant Lamp, Brass Metallised

The Pao collection of lamps is an exciting collaboration with established Japanese designer Naoto Fukasawa. Named after the soft, glowing shape of traditional Mongolian Pao tents illuminated at night-time, Fukasawa set out to encapsulate the same atmospheric warmth and friendliness in the Pao Steel Pendant. Pao draws on Fukasawas aesthetic of beautiful simplicity; creating an everyday object that draws on design values existing in the natural world. By keeping the aesthetics modest and simple, he brings the design into harmony with its environment, reinforcing his primary intention of making the atmosphere pleasant and comfortable. Thanks to developments in the latest LED-bulb technology, the light source can be concealed from view within the shade, which is closed off with high-quality Acrylic (PMMA) diffuser, resulting in a clean and simple design with no visual intrusions. The pendants shades are crafted from steel with a high-gloss finish.

HAY - Pao Steel Pendant Light, 230 Red / Ø23 x H10

Designed by Bertjan Pot, Paper Cube is a series of elegant and functional cubed lamps. Inspired by the mechanics of constructing folded paper ornaments, Paper Cube has a flat-pack design that is easy to assemble. Constructed from a strong Japanese paper material, made from recycled PET bottles, and with FSC-certified beech legs, the translucent shade has a closed volume that creates a soft ambient glow. Available in table and floor lamp versions with a cord and bulb socket, the lamps use a standard retrofit bulb and do not come supplied with a bulb. Paper Cube's clean design and warm, atmospheric light make it suitable for a variety of rooms at home, as well as restaurants, cafés and other public spaces.

HAY - Paper Cube Floor Lamp

The PH 3 ½-3 glass pendant lamp is one of many progressive projects developed by Poul Henningsen in connection with the design of his world-famous three-shade system from 1926. Poul Henningsen devoted much of his life to taming electric light. His three-shade design is based on a Lituus curve, which allows the light source to be used optimally. He continuously carried out calculations and tests in his work. The shape of the shades was determined by how they had to shape and reflect the light. When designing the lamp itself, he placed great importance on ensuring that it was glare-free. The white opal glass shade gives the lamp a soft overall look and illuminates the surroundings with a perfectly harmonious and glare-free light that only the classic three-shade system can provide. 

Louis Poulsen - PH 3½-3 Pendant Lamp, High Lustre Chrome Plated

The PH 3½2½ table lamp was designed in 1928. It is one of many projects Poul Henningsen developed alongside his world-famous three-shade lighting system. The lamp follows Henningsens original design, including the traditional shade holders with adjustment screws. The upper metal shade features a rolled edgea distinctive detail that increases durability and makes the shade appear thicker than it actually is.  The two lower shades are made of mouth-blown opal glass. Henningsen believed this combination used the light source more efficiently, reflecting light off the white interior of the top shade and directing it downwards. The stand is made of brown-painted copper, giving it the same appearance as the bronzed brass used in lamps of the timea process no longer used today due to environmental concerns.

Louis Poulsen - PH 3½-2 ½ Metal Table Lamp, Green

Flexibility, multiplied.  Tube Pendant is formed from an aluminium tube lined with a simple piece of translucent paper. The top shade can be easily adjusted to allow light to be diffused upwards, while the paper at the lower end can be extended to give the edge of the lamp a soft, warm glow.  Light can be adjusted in multiple ways.

MOEBE - Tube Pendant, Pine Green / Large

The iconic Panthella lamp from 1971 is one of the most popular lamps by designer and architect Verner Panton (1926-1998). When the Panthella designs first saw the light of day, Verner Panton designed them with a translucent opal shade. This original design was later reintroduced, and in combination with the contrasting materials of the Panthella, it creates an elegant and contemporary look. The Panthella 320 table lamp produces an atmospheric light that gently and pleasantly illuminates the surrounding area.

industrial light shade