The work of Kijû Yoshida is one of Japanese cinema's obscure pleasures. A contemporary of Nagisa Ôshima (Death by Hanging, In the Realm of the Senses) and Masahiro Shinoda (Pale Flower, Assassination), Yoshida started out as an assistant to Keisuke Kinoshita before making his directorial debut at age 27. In the decades that followed he produced more than 20 features and documentaries, yet each and every one has proven difficult to see in the English speaking world.This collection brings together three works from the late 60s and early 70s, a loose trilogy united by their radical politics and an even more radical shooting style. Eros + Massacre, presented here in both its 164-minute theatrical version and the full-length 215-minute director's cut, tells the parallel stories of early 20th-century anarchist (and free love advocate) Sakae Osugi and a pair of student activists. Their stories interact and intertwine, resulting in a complex, rewarding work that is arguably Yoshida's masterpie