Comics about comics continue to multiply with varying degrees of success. Here, the Eisner Awardwinning Powers series cleverly adds noirish suspense and pathos to its own postmodern wink in the genre's mirror. In an unnamed city where superheroes not only save lives but end up in photo shoots and car commercials, police detective Christian Walker, a former superhero who has mysteriously lost his powers, and his hipster-chick partner, Deena Pilgrim, investigate crimes related to those with "powers" (superpowers, that is). This volume centers on the death of Olympia, a Superman stand-in, found dead of a heart attack, in flagrante delicto. In this series, superheroes have groupies and are lonely and misunderstood. Bendis offers fake newspaper articles, advertisements and a People magazinelike scandal sheet called Powers to create a satirical world of superheroes much like his obvious inspiration, Alan Moore's The Watchmen. Bendis has a knack for snappy pulp dialogue and takes pleasure i