In this survey of the origins and development of abstraction in twentieth-century painting, John Golding analyses the ambitions and careers of seven major artists, each of whom 'had been inspired by the fact that he was on the path to some new, ultimate pictorial truth or certainty, to a visual absolute'. The artists under discussion fall into two groups: the three greatest pioneering abstract painters in Europe - Piet Mondrian, Kasimir Severinovich Malevich and Vasily Kandinsky - and the four leading figures in America - Jackson Pollock, Barnett Newman, Mark Rothko and Clyfford Still - who, in the 1940s and 1950s were able to endow abstraction with a new purpose and meaning. In his discussion of each artist the author has chosen key works to illustrate a visual progress on away from figurative painting; each is described and analysed in terms of colour, medium, content and scale, supplemented by a range of comparative material demonstrating stylistic influences, especially the pivotal