For Jacob Burckhardt, wrting "The Civilisation of the Renaissance" in Italy in 1860, artistic purpose and commitment to beauty were defining characteristics of Italian Renaissance culture. Burckhardt's analysis has been widely accepted but little has been done to define the Renaissance concept of beauty. In this volume, 15 contributing scholars reveal that ways of perceiving, conceiving and creating beauty were as diverse as the cultural influences at work in the period, deriving from antique, medieval and more recent literature and philosophy, adn from contemporary notions of morality and courtly behaviour. Approaches include discussion of contemporary critical terms and how these determined writers' appreciation of paintings, sculpture, architecture and costume; studies of the quest to crate beauty in the work of artists such as Botticelli, Leonardo, Raphael, Parmigianino and Vasari; and the investigation of changes in the concept relating to the biological functioning of the eye and