In an uncanny, distorted version of New York City, a man rides the subway through the chaos of an ordinary commute. He may have a gun in his pocket. He may be looking for someone--a woman named Esperanza. p Between stops, we shuttle back and forth through time and see a man who stands in traffic, the same man seizing and shuddering on a sidewalk, an institution where the man is housed with other undesirables or troublemakers, a neighborhood where all the residents have forgotten their names. Over everything looms the specter of a nameless menace, a pervasive sense that something--more than just a ride--is coming to an end. p With Robert Lopez's signature innovation, iA Better Class of Peoplei delivers a network of stories interconnected and careening like subway tunnels through the realities of modern America immigration, gun violence, police brutality, sexual harassment, climate change, and the point of fracture at which we find ourselves, where reality and perception are indistinguis