Lauded by Jerry Saltz asone of the most reactionary yet radical visions of art,The Young and Evil tells the story of a group of artists and writers active during the first half of the twentieth century, when homosexuality was as problematic for American culture as figuration was for modernist painting. These artistsincluding Paul Cadmus, Fidelma Cadmus Kirstein, Charles Henri Ford, Jared French, Margaret Hoening French, George Platt Lynes, Bernard Perlin, Pavel Tchelitchew, George Tooker, Alexander Jensen Yow, and their circlewere new social creatures, playfully and boldly homosexual at a time when it was both criminalized and pathologized. They pursued a modernism of the bodydriven by eroticism and bounded by intimacy, forming a hothouse world within a world that doesnt nicely fit any subsequent narrative of modern American art. In their work, they looked away from abstraction toward older sources and modelsclassical and archaic forms of figuration and Renaissance technique