The Cinema of Sofia Coppola provides the first comprehensive analysis of Coppolas oeuvre that situates her work broadly in relation to contemporary artistic, social and cultural currents. Suzanne Ferriss considers the central role of fashion - in its various manifestations - to Coppolas films, exploring fashions primacy in every cinematic dimension: in film narrative; production, costume and sound design; cinematography; marketing, distribution and auteur branding. She also explores the theme of celebrity, including Coppolas own director-star persona, and argues that Coppolas auteur status rests on an original and distinct visual style, derived from the filmmakers complex engagement with photography and painting.Ferriss analyzes each of Coppolas six films, categorizing them in two groups: films where fashion commands attention (Marie Antoinette, The Beguiled and The Bling Ring) and those where clothing and material goods do not stand out ostentatiously, but are essential in est