An extensive look at Robert Rymans formative work from the early 1960s, as well as his last series of paintings In the 1960s, Robert Ryman began to firmly establish the broad parameters of his radical and inventive practice. While he initially gained recognition for work he made in the late 1960s and early 1970s, his earlier paintings have remained less widely seen. This publication includes representative works of all facets of Rymans painterly practice during this timeinfluenced by his career as a jazz musicianincluding his use of thick impasto brushstrokes on both stretched and unstretched canvas; heavily or sparsely worked paintings in both small and large formats; and a group of rarely seen works on raw linen, each featuring one or several seemingly complete, independent compositions. Many of these works feature subtle suggestions of colorful underpainting that leave an outsized effect on the viewing experience, while in other works Rymans assertive use of green, red, a