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Michael D. Fowler presents an interdisciplinary approach to investigating the sound world of traditional Japanese gardens by drawing from the diverse fields of semiotics, acoustic ecology, philosophy, mathematical modelling, architecture, music, landscape theory and acoustic analysis. Using projects - ranging from data-visualisations, immersive sound installations, algorithmically generated meta-gardens and proto-architectural form finding missions - as creative paradigms, the book offers a new framework for artistic inquiry in which the sole objective is the generation of new knowledge through the act of spatial thinking.

Sound Worlds of Japanese Gardens

Foyles for books

In this book, Bruce Sharky provides a complete overview of the discipline to provide those that are new to the subject with the foundations for future study and practice.

Thinking about Landscape Architecture: Principles of a Design Profession for the 21st Century

Zavvi PL

In 1960, Jane Jacobs' book The Death and Life of Great American Cities sent shockwaves through the architecture and planning worlds, with its exploration of the consequences of modern planners' and architects' reconfiguration of cities. Jacobs was also an activist, who was involved in fights in mid-century New York to stop 'master builder' Robert Moses from running roughshod over the city. This film retraces the battles for the city as personified by Jacobs and Moses, as urbanization moves to the very front of the global agenda. Many of the clues for formulating solutions to the dizzying array of urban issues can be found in Jacobs' prescient text, and a close second look at her thinking and writing about cities is very much in order. This film sets out to examine the city of today through the lens of one of its greatest champions.

Citizen Jane: Battle For The City

Zavvi Int.

There is a hidden architecture to how we think, and how we can think. Understanding it grants us power over our thinking. This ground-breaking book challenges 2,500 years of our thinking about thought.Logic is the science of reality: the ultimate science. Logic dictates how we conduct physics, chemistry, biology, mathematics and computing. To understand reality requires first, that we understand how our understanding works.As a former barrister and solicitor, and legal innovator, Paul has a successful 25 year career in using the logic of the law. Turning to psychology, Paul became a Certified CBT Practitioner. In 2019, he was awarded by publication a PhD in Philosophy, for applied Psychology, for his innovative book I Want To Love But: Realising The Power Of You.The revolutionary new solutions to problems in logic, philosophy and science presented in this book can change your world.

Matrixial Logic

Dirty theory follows the dirt of material and conceptual relations from the midst of complex milieus. It messes with mixed disciplines, showing up in ethnography, in geography, in philosophy, and discovering a suitable habitat in architecture, design and the creative arts. Dirty theory disrupts a comfortable status quo, including our everyday modes of inhabitation and our habits of thinking. This small book argues that we must work with the dirt to develop an ethics of care and mainte- nance for our precarious environment-worlds.

Dirty Theory

Job titles like "Technical Architect" and "Chief Architect" nowadays abound in the software industry, yet many people suspect that "architecture" is one of the most overused and least understood terms in professional software development. Gorton's book helps resolve this predicament. It concisely describes the essential elements of knowledge and key skills required to be a software architect. The explanations encompass the essentials of architecture thinking, practices, and supporting technologies. They range from a general understanding of software structure and quality attributes, through technical issues like middleware components and documentation techniques, to emerging technologies like model-driven architecture, software product lines, aspect-oriented design, service-oriented architectures, and the Semantic Web, all of which will influence future software system architectures.  All approaches are illustrated by an ongoing real-world example. So if you work as an architect or sen

Essential Software Architecture

Within a relatively short time, Augmented and Virtual Reality have emerged centre stage in architecture and the arts as novel means for exploring how their creative output is produced, mediated and experienced. Feeding the continuous spectrum between the "fully real" and the "fully virtual," the underlying technology of these media present machine-generated sensorial input where to date the image-based dominate. With these inputs, corporeal existence see "virtual" experiences thrown on the scale with "real" ones as the concepts and models for how we understand perceptional dynamics are shifting. While teasing the disciplines with creative opportunities, the use of the media presents a staggering number of acute questions, not the least with respect to corporeal experience, the human-machine interface and what constitutes the "real." Augmented and Virtual Reality invite to re-examine established ways of thinking and making within architecture and the arts and open onto an uncharted terr

Breaking Glass

The Experience of History is a lively and passionate introduction to the field that encourages students to seek and appreciate history inside the classroom and beyond. This work: * Defines history as a discipline and the role of historians within it * Addresses the analytical and critical thinking skills needed to engage with the past * Discusses a variety of important topics in the study of history, such as historical evidence, primary documents, divisions of history, forms of historical writing, historiographical traditions, and recent categories of historical research Written by a renowned scholar of European history, this work helps students to become discerning examiners of history and historical evidence in a variety of modern settings like art, architecture, film, television, politics, current events, and more. Learn more about the author and his passion for history in this interview with popular blog Five Books: http://fivebooks.com/interview/ken-bartlett-renaissance-books/.

The Experience of History

Today, modern business is adrift in a sea of connectivity and potential. Where once an organization’s IT needs could be met from within its four walls, we now see many mission-critical systems reaching out beyond an enterprise’s traditional boundaries. This is pushing solutions design well beyond the comfort zone of Enterprise Architecture and out into a world of hyper-enterprise systems. This is a world of complexity and scale, where the changing status quo demands that organizations keep up or die. To survive, their IT systems must also evolve as the context of their environment(s) ebbs and flows. The result is a dynamic, interconnected web of critical business advantage, balanced against uncertainty and risk, and infused with AI. This is the world of Ecosystems Architecture. This book will introduce you to the challenges of designing hyper-enterprise IT systems and the tools you will need as the era of Ecosystems Architecture dawns. It explains the proximity of new thinking to long-

Ecosystems Architecture

Climate change, and the inevitability of sea level rise, will require much more of us than simply pulling back from the coastline. The thesis of Weston Wright's More Water Less Land New Architecture is that we need to start thinking in an entirely different way about the relationship of cities to waterfront sites and of the relationship of buildings to water, which means rethinking many of architecture's implicit premises. If architecture has been confrontational with water—think bold towers erected beside the sea, as if to dare the water to challenge them—Wright's argument is that we will need to be modest, accommodating, and accepting of the power and presence of water if our cities are to survive. He knows that nature is stronger than we are, and that best chance mankind has to build successfully will be to build with, not against, the reality of water. This is an important book, not least because its quiet, sober tone balances natural history with architectural history, and reaches

MORE WATER LESS LAND NEW ARCHITECTURE

City planning is the key-stone to tackle the question of climate-change and to involve adequate action.  In Part I of this book, the theory of space-economy is presented.  Opening up a new conceptual and operational toolbox for policy makers, practitioners and scholars, the theory of space-economy is based on a rigorously structured thinking and acting in the field of sustainable urban planning and architecture. Europe has the greatest experience in sustainable city planning worldwide.  In Part II, four of the most remarkable experiences (Vauban in Freiburg i.B., Kronsberg in Hannover, Western Harbour in Malmö, Hammarby Sjöstad in Stockholm) are presented, dissected conceptually and operationally a radically new way. The interest of the approach is not limited to European countries. In Part III is developed a project in Asia, in Ho Chi Minh City, faced with dramatic threats due to climate change and rapidly growing tidal and sea-level rise. Based on the experiences presented in Part II

The Space-Economic Transformation of the City

Set amidst the experimental ecology of practices that supports feminist thinking and doing in architecture, this small book outlines an instruc- tion guide that presents six provocative steps toward the invention of productive concept-tools. It invites readers to explore creative and messy methodologies that combine an aesthetics with a practical ethics. Frichot encourages us to think and do architecture in ways that challenge a dog- matic status quo that celebrates major gures, while overlooking the care and labour of minor gures and practices.

How to make yourself a Feminist Design Power Tool

Putting capability management into practice requires both a solid theoretical foundation and realistic approaches. This book introduces a development methodology that integrates business and information system development and run-time adjustment based on the concept of capability by presenting the main findings of the CaaS project – the Capability-Driven Development (CDD) methodology, the architecture and components of the CDD environment, examples of real-world applications of CDD, and aspects of CDD usage for creating business value and new opportunities.      Capability thinking characterizes an organizational mindset, putting capabilities at the center of the business model and information systems development. It is expected to help organizations and in particular digital enterprises to increase flexibility and agility in adapting to changes in their economic and regulatory environments. Capability management denotes the principles of how capability thinking should be implemented i

Capability Management in Digital Enterprises

If you want to discover the captivating history of the Renaissance, then keep reading...   "Renaissance" is the French word for "rebirth," which is given to the period of time between the 14th and 17th centuries in Europe when there was a marked resurgence in classical art, education, philosophy, architecture, and natural sciences. Once more, the former Roman territories embraced the writings of ancient Greeks and Romans, and the idea of humanism. This rebirth marks the end of the Dark Ages and the beginning of the long march toward modernity.   In those precious centuries, astronomers redefined the way we view our place in the solar system and the universe. Writers and scholars gave us new ways of thinking about the human condition, the self, and the community. Artists found new methods of expression, and architects used classical pieces in their contemporary churches, palaces, and public buildings. Science leaped forward, once more able to match the level of Arab and Muslim intellect

The Renaissance

Martin Heidegger - philosophy&apos;s &apos;hidden king&apos;, or leading exponent of a dangerously misguided secular mysticism. Heidegger has been acclaimed as the most powerfully original philosopher of the twentieth century. Profoundly influential on deconstruction, existentialism and phenomenology, he stands behind all major strands of post-structuralist and postmodern thought. Heidegger announced the end of philosophy and of humanism, and was a committed Nazi and vocal supporter of Hitler&apos;s National Socialism. Was Heidegger offering a deeply conservative mythology or a crucial deconstruction of philosophy as we have known it? "Introducing Heidegger" provides an accessible introduction to his notoriously abstruse thinking, mapping out its historical contexts and exploring its resonances in ecology, theology, art, architecture, literature and other fields. The book opens up an encounter with a kind of thinking whose outlines might still not yet be clear, and whose forms might st

Introducing Heidegger

ENbook.pl

The complex story of modern landscape architecture remains to be written, as does its precise definition. Thinking a Modern Landscape Architecture, West and East, written by one of the field's most prolific and insightful authors, provides a rare cross-cultural study that examines the written and design contributions made by two of the movement's most influential early protagonists Christopher Tunnard 1910-1979 in England--and later the United States, and Sutemi Horiguchi 1896-1984 in Japan. Tunnard's pioneering manifesto, Gardens in the Modern Landscape, first published in 1938, laid out the thinking and provided the direction for a landscape architecture engaged more strongly with contemporary life, adopting ideas from modern art as well as the historical gardens of Japan. Rather than a book, it was the architect Horiguchi's 1934 essay The Garden of Autumn Grasses that initiated a new direction for garden making in Japan, with a considered and artful use of seasonal plants and a stro

Thinking a Modern Landscape Architecture, West & East | Treib Marc | Twarda

This book examines ten select projects to illuminate Fehns approach to the city, the embodiment of that thinking in his designs, and the broader lessons those efforts offer for better understanding the relationship between architecture and urban life.

Sverre Fehn and the City | Anderson Stephen M. | Twarda

piDesign for Floodingi contains considerable usefulinformation for practitioners and students. Watson and Adams fillthe void for new thinking...and they advance our ability tocreate more sustainable, regenerative, and resilient places.b--Landscape Architecture Magazinebp

Design for Flooding | Watson Donald | Twarda

pThis curriculum guide provides hands-on activities that integrate Architecture as a theme for instruction and as an ideal springboard to engage students in Science, Technology, Engineering and Mathematics STEM. Each activity integrates Interdisciplinary Strategies, Critical Thinking, Rubrics and Portfolio Assessment using a performance-based approach in which students learn by discovery. The guide can be an invaluable tool for educational institutions and non-profit organizations to develop innovative educational programs that promote project-based education. In addition to engaging students in STEM, the guide presents Architecture as an art discipline and how the design process in Architecture can be seen as another problem-solving method.p

K | 12 Architecture Education | Cardona Arnaldo | Twarda

pbThinking through object-oriented ontology--and the work of architects such as Rem Koolhaas and Zaha Hadid--to explore new concepts of the relationship between form and functionb p Object-oriented ontology has become increasingly popular among architectural theorists and practitioners in recent years. iArchitecture and Objectsi, the first book on architecture by the founder of object-oriented ontology OOO, deepens the exchange between architecture and philosophy, providing a new roadmap to OOO's influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function. ppGraham Harman opens with a critique of Heidegger, Derrida, and Deleuze, the three philosophers whose ideas have left the deepest imprint on the field, highlighting the limits of their thinking for architecture. Instead, Harman contends, architecture can employ OOO to reconsider traditional notions of form and function that emphasize their relational 

Architecture and Objects | Harman Graham | Paperback | Twarda

pThis fascinating introduction to classical art and architecture is the first book to investigate the way classical buildings are put together as formal structures. It researches the generative rules, the poetics of composition that classical architecture shares with classical music, poetry, and drama, and is enriched by a variety of examples and an extensive analysis of compositional rules. The 205 line drawings make up a discourse of their own, a pictorial text that serves as an introductory theory of composition or basic design aid.ppDrawing from Vitruvius, the poetics of Aristotle, the theories of classical architecture, music, and poetry since the Renaissance, and the poetics of the Russian formalists, the authors present classical architecture as a coherent system of architectural thinking that is capable of producing a tragic humanistic discourse, a public art with critical, moral, and philosophical meaning.p

Classical Architecture | Tzonis Alexander | Twarda

pThis book presents an architectural approach to documenting a business and it presents the resulting architecture as the heart and brain of the business as an autonomic system. Certain functions of the body are referred to as autonomic because they are involuntary and they are performed unconsciously. Like the body breathes without us thinking about it, so should architecture be part of the life of a business, without it being forced and without it being a planned event. As involuntary functions, there is no need to mention agility and as you will see, having architecture data on hand makes for an agile business.p

The Heart and Brain of Your Business | Insolia Anthony | Twarda

pemThe Routledge Companion to Biology in Art and Architectureem collects thirty essays from a transdisciplinary array of experts on biology in art and architecture. The book presents a diversity of hybrid art-and-science thinking, revealing how science and culture are interwoven. The book situates bioart and bioarchitecture within an expanded field of biology in art, architecture, and design. It proposes an emergent field of biocreativity and outlines its historical and theoretical foundations from the perspective of artists, architects, designers, scientists, historians, and theoreticians. Includes over 150 black and white images.p

The Routledge Companion to Biology in Art and Architecture | Terranova Charissa | Paperback | Twarda

pemForm and Fabric in Landscape Architectureem provides an original, visual approach to the study of landscape architecture by creating a spatial morphology based on use and experience of landscapes. It explores aesthetic, spatial and experiential concepts by providing a structure through which landscapes can be understood and conceived in design. 'Fabric' is the integrated structure of whole landscapes, while 'form' refers to the components that make up this fabric. Together form and fabric create a morphology of landscape useful for the development of visual-spatial design thinking and awareness. This book is intended as both an introduction to the discipline for students of landscape architecture, architecture and planning, and a source of continuing interest for more experienced environmental designers.p

Form and Fabric in Landscape Architecture | Dee Catherine | Twarda

piPoetry, Architecture, and the New York School Something Like a Liveable Space iexamines the relationship between poetics and architecture in the work of the first generation New York School poets, Frank O'Hara, John Ashbery, Barbara Guest, and James Schuyler. Reappraising the much-debated New York School label, Mae Losasso shows how these writers constructed poetic spaces, structures, surfaces, and apertures, and sought to figure themselves and their readers in relation to these architextual sites. In doing so, Losasso reveals how the built environment shapes the poetic imagination and how, in turn, poetry alters the way we read and inhabit architectural space. Animated by archival research and architectural photographs, iPoetry, Architecture, and the New York School imarks a decisive interdisciplinary turn in New York School studies, and offers new frameworks for thinking about postmodern American poetry in the twenty-first century.ppp

Poetry, Architecture, and the New York School | Losasso Mae | Twarda

pRichard Haag is best known for his rehabilitation of Gas Works Park in Seattle and for a series of remarkable gardens at the Bloedel Reserve on Bainbridge Island. He reshaped the field of landscape architecture as a designer, teacher, and activist. In 1964, Haag founded the landscape architecture department at the University of Washington, and his innovative work contributed to the increasingly significant design approach known as urban ecological design, which encourages thinking beyond the boundaries of gardens and parks to consider the broader roles that landscapes play within urban ecosystems, such as storm water drainage and wildlife habitat.ppGas Works Park is studied in every survey of twentieth-century landscape architecture as a modern work that challenged the tenets of modernism by engaging a toxic site and celebrating an industrial past. Haag's work with ecologists and soil scientists in his landscape remediation and reclamation projects opened new areas of inquiry into the

The Landscape Architecture of Richard Haag | Way Thasa | Twarda

Knowledge comes from thinking with, from and through things, not just about them. We get to know the world around us from the inside of our being in it. Drawing on the fields of anthropology, art, architecture and education, this book addresses what knowing from the inside means for practices of teaching and learning. If knowledge is not transmitted ready-made, independently of its application in the world, but grows from the crucible of our engagements with people, places and materials, then how can there be such a thing as a curriculum What forms could it take And what could it mean to place such disciplines as anthropology, art and architecture at the heart of the curriculum rather than - as at present - on the margins br br In addressing these questions, the fifteen distinguished contributors to this volume challenge mainstream thinking about education and the curriculum, and suggest experimental ways to overcome the stultifying effects of current pedagogic practice.

Knowing from the Inside | Herzogenrath Bernd | Twarda

pMaking creates knowledge, builds environments and transforms lives. Anthropology, archaeology, art and architecture are all ways of making, and all are dedicated to exploring the conditions and potentials of human life. In this exciting book, Tim Ingold ties the four disciplines together in a way that has never been attempted before. In a radical departure from conventional studies that treat art and architecture as compendia of objects for analysis, Ingold proposes an anthropology and archaeology not iofi but iwithi art and architecture. He advocates a way of thinking through making in which sentient practitioners and active materials continually answer to, or 'correspond', with one another in the generation of form. p ppi pMakingi offers a series of profound reflections on what it means to create things, on materials and form, the meaning of design, landscape perception, animate life, personal knowledge and the work of the hand. It draws on examples and experiments ranging from preh

Making | Ingold Tim | Twarda

bComposed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present.bpKenneth Frampton's long-awaited follow-up to his classic iA Critical History of Modern Architecturei is certain to influence any future debate on the evolution of modern architecture. iStudies in Tectonic Culturei is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton--the focus on architecture as a constructional craft--constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form.ppComposed of ten essays and

Studies in Tectonic Culture | Frampton Kenneth | Twarda

Maps materiality's importance in the emergent posthuman future of architecture pThis book gathers 14 architects, designers, performing artists, film makers, media theorists, philosophers, mathematicians and programmers. They all argue that matter in contemporary posthuman times has to be rethought in its rich internal dynamism and its multifaceted context. By transversally crossing disciplinary boundaries, new and profound insights into contemporary thinking and creating architecture emerge.p pCombining the dynamism of materiality and the capacities of nonhuman machines towards prototyping spatiotemporal designs and constructs leads to alternative conceptions of the human, of ethics, aesthetics and politics in this world yet-to-come.p Key Features ulliExamines how contemporary materialist philosophies affect the theory and practice of architecture li liAddresses the consequences of the strong impact of information technology and computation on the conception on matter and on the proces

Architectural Materialisms | Voyatzaki Maria | Twarda

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pHow can music withstand the death and destruction brought on by war Global conflicts of the 20th century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. iMusic in World War IIi explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war's musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of war music in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, 

Music in World War II | Potter Pamela M. | Twarda

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thinking architecture