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EAN: 9781780936598"Adorno Theodor W.""Bloomsbury Publishing PLC" 2013

Aesthetic Theory | Adorno Theodor W. | Twarda

The crisis of tradition early in the twentieth century-signaled by the collapse of perspective in painting and tonality in music and evident in the explosive ferment of the avant-garde movements-opened a new stage of modern art, which aesthetic theory is still struggling to comprehend. David Roberts situates the current aesthetic and cultural debates in a wider historical frame which extends from Hegel and the German Romantics to Luk cs and Adorno, Benjamin and Baudrillard. Art and Enlightenment Aesthetic Theory after Adorno is the first detailed analysis in English of Theodor Adorno's seminal Philosophy of Modern Music, which can be seen as a turning point between modern and postmodern art and theory. Adorno's diagnosis of the crisis of modernist values points back to Hegel's thesis of the end of art and also forward to the postmodernist debate. Thus the paradoxes of Adorno's negative aesthetics return to haunt the current discussion by representatives of the second generation of the 

Art and Enlightenment | Roberts David | Twarda

pThis book makes a compelling case for utilising experiences of resonance in various academic and societal fields. p pThe concept of resonance was first introduced by Hartmut Rosa to foreground the importance of affective, emotional, transformative and uncontrollable experiences in socio-political contexts that he characterizes as alienating. Based on a critical reading of Rosa's theory and further developed through engagement with Theodor W. Adorno, Gilles Deleuze, Hannah Arendt, Judith Butler and others, this book introduces the notion of a 'spectrum of resonance' which encompasses both icritical resonance iand iaffirmationisti iresonancei. This spectrum of resonance is used to analyse various forms of aesthetic experience illustrated with reference to Edgar Reitz's film iHeimati and the music of Nick Cave and Kayhan Kalhor.p pThe spectrum is also deployed in the fields of museum, memory and trauma studies to show how experiences of resonance contribute to the constitution of politic

Exploring Hartmut Rosa's Concept of Resonance | Peters Mathijs | Twarda | Twarda

pIn this monograph Theodor Adorno's philosophy engages with postcolonial texts and authors that emerge out of situations of political extremity - apartheid South Africa, war-torn Sri Lanka, Pinochet's dictatorship, and the Greek military junta. This book is ground-breaking in two key ways first, it argues that Adorno can speak to texts with which he is not historically associated and second, it uses Adorno's theory to unlock the liberatory potential of authors or novels traditionally understood to be apolitical. While addressing Adorno's uneven critical response and dissemination in the Anglophone literary world, the book also showcases Adorno's unique reading of the literary text both in terms of its innate historical content and formal aesthetic attributes. Such a reading refuses to read postcolonial texts exclusively as political documents, a problematic but changing tendency within postcolonial studies. In short, the book operates as a two-way conversation asking What can Adorno's 

Speaking Politically | Philippou Eleni | Twarda

piCritical Modelsi combines into a single volume two of Adorno's most important postwar works -- iInterventions Nine Critical Modelsi 1963 and iCatchwords Critical Models IIi 1969. Written after his return to Germany in 1949, the articles, essays, and radio talks included in this volume speak to the pressing political, cultural, and philosophical concerns of the postwar era. The pieces in iCritical Modelsi reflect the intellectually provocative as well as the practical Adorno as he addresses such issues as the dangers of ideological conformity, the fragility of democracy, educational reform, the influence of television and radio, and the aftermath of fascism. pThis new edition includes an introduction by Lydia Goehr, a renowned scholar in philosophy, aesthetic theory, and musicology. Goehr illuminates Adorno's ideas as well as the intellectual, historical, and critical contexts that shaped his postwar thinking.p

Critical Models | Adorno Theodor W. | Twarda

The great German philosopher and aesthetic theorist Theodor Wiesengrund Adorno 1903-1969 was one of the main philosophers of the first generation of the Frankfurt School of critical theory. As an accomplished musician, Adorno originally focused on the theory of culture and art. He later turned to the problem of the self-defeating dialectic of modern reason and freedom. A distinguished roster of Adorno specialists explores the full range of his contributions to philosophy, history, music theory, aesthetics and sociology in this collection of essays.

The Cambridge Companion to Adorno | Huhn Thomas | Paperback | Twarda

pTheodor Adorno 1903-69 was undoubtedly the foremost thinker of the Frankfurt School, the influential group of German thinkers that fled to the US in the 1930s, including such thinkers as Herbert Marcuse and Max Horkheimer. His work has proved enormously influential in sociology, philosophy and cultural theory. Aesthetic Theory is Adorno's posthumous magnum opus and the culmination of a lifetime's investigation. Analysing the sublime, the ugly and the beautiful, Adorno shows how such concepts frame and distil human experience and that it is human experience that ultimately underlies aesthetics. In Adorno's formulation 'art is the sedimented history of human misery'. Edited by Gretel Adorno and Rolf Tiedeman Translated by Robert Hullot-Kentor.p

Aesthetic Theory | Adorno Theodor Wiesengrund | Twarda | Twarda

This book draws on aesthetic theory, including ideas from the history of painting, music and dance, to offer a fresh perspective on the video game as a popular cultural form. It argues that games like Grand Theft Auto and Elektroplankton are aesthetic objects that appeal to players because they offer an experience of form, as this idea was understood by philosophers like Immanuel Kant and Theodor Adorno. pVideo games are awkward objects that have defied efforts to categorise them within established academic disciplines and intellectual frameworks. Yet no one can deny their importance in re-configuring contemporary culture and their influence can be seen in contemporary film, television, literature, music, dance and advertising. This book argues that their very awkwardness should form the starting point for a proper analysis of what games are and the reasons for their popularity. This book will appeal to anyone with a serious interest in the increasingly playful character of contemporar

Aesthetic Theory and the Video Game | Kirkpatrick Graeme | Paperback | Twarda

pBeethoven's late style is the language of his ninth symphony, the Missa Solemnis, the last piano sonatas and string quartets, the Diabelli Variations, the Bagatelles, as well as five piano sonatas, five string quartets, and several smaller piano works. Historically, these works are seen as forging a bridge between the Classical and Romantic traditions in terms of their musical structure, they continue to be regarded as revolutionary.ppSpitzer's book examines these late works in light of the musical and philosophical writings of the German intellectual Theodor Adorno, and in so doing, attempts to reconcile the conflicting approaches of musical semiotics and critical theory. He draws from various approaches to musical, linguistic, and aesthetic meaning, relating Adorno to such writers as Derrida, Benjamin, and Habermas, as well as contemporary music theorists. Through analyses of Beethoven's use of specific musical techniques including neo-Baroque fugues and counterpoint, Spitzer sugges

Music as Philosophy | Spitzer Michael | Twarda

If 2019 was an Adornian year because of the 50th anniversary of the untimely death of Theodor W. Adorno in August 1969, also 2020 has been an Adornian year because of the 50th anniversary of the posthumous publication of Adorno's great but unfinished masterpiece iAesthetic Theoryi, first published in 1970. Adorno's intellectual legacy is still alive today and indeed important for the conceptual tools as it still provides to develop a critical, active and negative instead than acritical, passive and affirmative relationship with the real. In the vast and complex corpus of Adorno's entire philosophical oeuvre, his aesthetic theory deserves an especially close and renewed attention today for the variety of intellectual provocations that are still richly offered to us in order to critically understand our age.

The Aging of Adorno's Aesthetic Theory | Gandesha Samir | Twarda

pTheodor Adorno is one of this century's most influential thinkers in the areas of social theory, philosophy, aesthetics, and music. Throughout the essays in this book, all of which concern musical matters, he displays an astonishing range of cultural reference, demonstrating that music is invariably social, political, even ethical.p pAdorno's insistence on the social character of aesthetic works will come as no surprise to those familiar with his writings, although many may be surprised by the volume's somewhat colloquial tone. This colloquialism, in dialogue with Adorno's unceasing rigor, stems from the occasional sources of many of the essays, mainly public lectures and radio addresses. As such, this volume represents an important and, for English-language readers, largely unfamiliar side to Adorno. His arguments move more quickly than in his more formal and extended musicological works, and the writing is much more accessible and generous than his usually dense and frequently opaqu

Sound Figures | Adorno Theodor W. | Paperback | Twarda

pThis volume of lectures on aesthetics, given by Adorno in the winter semester of 1958-9, formed the foundation for his later iAesthetic Theoryi, widely regarded as one of his greatest works. p pThe lectures cover a wide range of topics, from an intense analysis of the work of Georg Luk cs to a sustained reflection on the theory of aesthetic experience, from an examination of works by Plato, Kant, Hegel, Schopenhauer, Kierkegaard and Benjamin, to a discussion of the latest experiments of John Cage, attesting to the virtuosity and breadth of Adorno's engagement. All the while, Adorno remains deeply connected to his surrounding context, offering us a window onto the artistic, intellectual and political confrontations that shaped life in post-war Germany. p pThis volume will appeal to a broad range of students and scholars in the humanities and social sciences, as well as anyone interested in the development of critical theory.p

Aesthetics | Adorno Theodor W. | Paperback | Twarda

The eleven interconnected essays of this book penetrate the dense historical knots binding terror, power and the aesthetic sublime and bring the results to bear on the trauma of September 11 and the subsequent War on Terror. Through rigorous critical studies of major works of post-1945 and contemporary culture, the book traces transformations in art and critical theory in the aftermath of Auschwitz and Hiroshima. Critically engaging with the work of continental philosophers, Theodor W. Adorno, Jacques Derrida, and Jean-Francois Lyotard and of contemporary artists Joseph Beuys, Damien Hirst, and Boaz Arad, the book confronts the shared cultural conditions that made Auschwitz and Hiroshima possible and offers searching meditations on the structure and meaning of the traumatic historical 'event'. Ray argues that globalization cannot be separated from the collective tasks of working through historical genocide. He provocatively concludes that the current US-led War on Terror must be graspe

Terror and the Sublime in Art and Critical Theory | Ray G. | Twarda

pThe rich conceptual and experiential relays between music and philosophy--echoes of what Theodor W. Adorno once called iKlangfigureni, or sound figures--resonate with heightened intensity during the period of modernity that extends from early German Idealism to the Critical Theory of the Frankfurt School. This volume traces the political, historical, and philosophical trajectories of a specifically German tradition in which thinkers take recourse to music, both as an aesthetic practice and as the object of their speculative work. pThe contributors examine the texts of such highly influential writers and thinkers as Schelling, Schopenhauer, Nietzsche, Bloch, Mann, Adorno, and Lukcs in relation to individual composers including Beethoven, Wagner, Schnberg, and Eisler. Their explorations of the complexities that arise in conceptualizing music as a mode of representation and philosophy as a mode of aesthetic practice thematize the ways in which the fields of music and philosophy are alter

Sound Figures of Modernity | Hermand Jost | Twarda

Theodor Adorno's Aesthetic Theory 1970 offers one of the most powerful and comprehensive critiques of art and of the discipline of aesthetics ever written. The work offers a deeply critical engagement with the history and philosophy of aesthetics and with the traditions of European art through the middle of the 20th century. It is coupled with ambitious claims about what aesthetic theory ought to be. But the cultural horizon of Adorno's Aesthetic Theory was the world of high modernism, and much has happened since then both in theory and in practice. Adorno's powerful vision of aesthetics calls for reconsideration in this light. Must his work be defended, updated, resisted, or simply left behind This volume gathers new essays by leading philosophers, critics, and theorists writing in the wake of Adorno in order to address these questions. They hold in common a deep respect for the power of Adorno's aesthetic critique and a concern for the future of aesthetic theory in response to recent

Art and Aesthetics After Adorno | Bernstein J. M. | Paperback | Twarda

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pHow can music withstand the death and destruction brought on by war Global conflicts of the 20th century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. iMusic in World War IIi explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war's musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of war music in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, 

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