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Zavvi PL

'Every country has its treasure trove of beloved tales, but one nation has an unrivalled passion for storytelling. For ten centuries Icelanders have been enthralled by a series of homespun stories. They are some of the most wonderful tales ever told. How they came to be written is one of the greatest mysteries of the Dark Ages. A thousand years ago, at the edge of the Arctic Circle, there was an explosion of creativity which remains pretty much unparalleled in history.When the Vikings settled in Iceland one of the first things they did, strangely was to settle down and begin telling each other tales. These Sagas, as they're known, are some of the greatest stories every told, captivating audiences ten centuries ago and are still entertaining millions of people today'.Dr Janina Ramirez discovers, these sagas are not just great works of art, they are also priceless historical documents which bring to life the Viking world. Dr Ramirez travels across glaciers and through the lava fields of 

Viking Sagas

Zavvi Int.

ENbook.pl

pstrongExplore Captivating Tales from the Viking AgestrongppAs the name suggests, the legendary sagas are works of fiction. It is in these sagas that we meet all manner of fantastic creatures, read of the exploits of heroes and villains, and occasionally see the gods peek in to steer events or punish evildoers.ppThe sagas of Icelanders, by contrast, are largely historical works that tell the stories of the families who left continental Scandinavian lands to settle Iceland beginning in the late ninth century. However, these historical sagas are not entirely untouched by the fantastic, since they also occasionally contain episodes that involve magic or the supernatural.ppThis current volume presents three Viking sagas. Two are legendary sagas, while the third is historical.ppstrongWithin this book, you'll find the following Viking Sagas covered strongpulliThe Saga of King Heidrek the WiseliliSelections from The Saga of rvar-OddrliliThe Voyages to VinlandliulpstrongGet the book now and di

Tales from the Viking Age | Clayton Matt | Twarda

ENdisc.pl

Historical documentary about the Icelanders' sagas presented by Dr. Janina Ramirez. The programme takes a look at life during the Viking Age through the stories they wrote about real people and events. Travelling to Iceland, Dr. Ramirez examines one of these stories in particular - the Laxdla saga.

"Viking Sagas" ("") (DVD)

pVerse quotation is intrinsic to the literary style of the medieval Icelandic corpus of emslendingasgurem sagas of Icelanders, one of the most important vernacular literary genres of the European Middle Ages. The essays collected in this volume demonstrate that the combination of prose and verse constitutes a distinctive literary aesthetic, and that in the medieval Icelandic literary tradition, it was not a question of choosing between prose and verse as the vehicle for stories about the foundational generations of settlers on the island, but of combining both modes to forge the unique literary form of the saga. Verse quotation has always been recognised as an important aspect of the emslendingasgurem, but to date, the significance of verse to the aesthetic of the narrative has mainly been explored with reference to the sub-genre of the emskldasgurem sagas of poets, in which the proportion of verse to prose is at its highest. p pThe contributions to the volume analyse the emslendingasg

The Prosimetrum of the slendingasgur | Orgeirsdttir Brynja | Twarda

pemA wheel of ravens revelled loudlyemppemOver a bitter battle of bold fightersemppemWho lost their lives and lay in mud, emppemA feast of flesh for the frenzied birds...emppbrppFrom strongAdam Bolivarstrong, balladeer extraordinaire and author of emThe Ettinfell of Beacon Hillem, comes a landmark volume of poetry that harkens back to the adventurous myths of the Anglo-Saxons and the Dark Ages...ppbrppAlliterative verse was the traditional poetic form used in Old English poems such as emBeowulfem and emThe Wandererem, as well as in Old Norse sagas and the emPoetic Eddaem of the Icelanders. Outlawed by the Normans as a symbol of nativist rebellion after their conquest of England in the year 1066, this ancient form is now all but forgotten. emA Wheel of Ravensem is the first ever collection of original verse written in the Old English alliterative style. Braiding together threads of early English paganism, folkloric elements-including a speculative pre-history of the storytelling traditi

A Wheel of Ravens | Bolivar Adam | Twarda

p The Sagas of Icelanders are enduring stories from Viking-age Iceland filled with love and romance, battles and feuds, tragedy and comedy. Yet these tales are little read today, even by lovers of literature. The culture and history of the people depicted in the Sagas are often unfamiliar to the modern reader, though the audience for whom the tales were intended would have had an intimate understanding of the material. This text introduces the modern reader to the daily lives and material culture of the Vikings. Topics covered include religion, housing, social customs, the settlement of disputes, and the early history of Iceland. Issues of dispute among scholars, such as the nature of settlement and the division of land, are addressed in the text.p

Icelanders in the Viking Age | Short William R. | Twarda

pCompared to other areas of medieval literature, the question of masculinity in Old Norse-Icelandic literature has been understudied. This is a neglect which this volume aims to rectify. The essays collected here introduce and analyse a spectrum of masculinities, from the sagas of Icelanders, contemporary sagas, kings' sagas, legendary sagas, chivalric sagas, bishops' sagas, and eddic and skaldic verse, producing a broad and multifaceted understanding of what it means to be masculine in Old Norse-Icelandic texts. A critical introduction places the essays in their scholarly context, providing the reader with a concise orientation in gender studies and the study of masculinities in Old Norse-Icelandic literature.br  This book's investigation of how masculinities are constructed and challenged within a unique literature is all the more vital in the current climate, in which Old Norse sources are weaponised to support far-right agendas and racist ideologies are intertwined with images of v

Masculinities in Old Norse Literature | Evans Gareth Lloyd | Twarda | Twarda

The medieval Norse-Icelandic saga is one of the most important European vernacular literary genres of the Middle Ages. This Introduction to the saga genre outlines its origins and development, its literary character, its material existence in manuscripts and printed editions, and its changing reception from the Middle Ages to the present time. Its multiple sub-genres - including family sagas, mythical-heroic sagas and sagas of knights - are described and discussed in detail, and the world of medieval Icelanders is powerfully evoked. The first general study of the Old Norse-Icelandic saga to be written in English for some decades, the Introduction is based on up-to-date scholarship and engages with current debates in the field. With suggestions for further reading, detailed information about the Icelandic literary canon, and a map of medieval Iceland, this book is aimed at students of medieval literature and assumes no prior knowledge of Scandinavian languages.

The Cambridge Introduction to the Old Norse | Icelandic Saga | Clunies Ross Margaret | Paperback | Twarda

piAn Icelandic Literary Florilegiumi, a special issue of iNew Norse Studiesi, is a smorgasbord of noteworthy studies and brings together twelve original articles. The various authors examine topics within the field of Old Norse-Icelandic and deal with a variety of literary genres, including the Sagas of Icelanders, kings' sagas, saints' lives, contemporary sagas, skaldic poetry, and post-Reformation compositions in verse and prose. There is no unifying theme, but all articles are written with Professor  lfar Bragason in mind. Collectively, they present a heartfelt offering to him on the occasion of his seventieth birthday in gratitude for his friendship and scholarly support through many years. This book will be welcomed not only by specialists and scholars in adjacent fields, but also by avid general readers. pbContributorsb T. M. Andersson, Margaret Clunies Ross, Kate Heslop, Shaun F. D. Hughes, J n Atli  rnason, Jon Gunnar J rgensen, Marianne Kalinke, Annette Lassen, John Lindow, El

An Icelandic Literary Florilegium | Kalinke Marianne E. | Twarda

pThis book assesses the importance of poetry for the Old Icelandic literary flowering of c. 1150-1350. It addresses the apparent paradox that an extremely conservative form of literature, namely skaldic poetry, was at the core of the most innovative literary and intellectual experiments in the period. The book argues that this cannot simply be explained as a result of strong local traditions, as in most previous scholarship. Thus, for instance, the author demonstrates that the mix of prose and poetry found in kings' sagas and sagas of Icelanders is roughly contemporary to the written sagas. Similarly, he argues that treatises on poetics and mythology, including Snorri's Edda, are new to the period, not only in their textual form, but also in their systematic mode of analysis. The book contends that what is truly new in these texts is the method of the authors, derived from Latin learning, but applied to traditional forms and motifs as encapsulated in the skaldic tradition. In this way,

The Poetic Genesis of Old Icelandic Literature | Males Mikael | Twarda | Twarda

Njls saga is the best known and most highly regarded of all medieval Icelandic sagas and it occupies a special place in Icelandic cultural history. The manuscript tradition is exceptionally rich and extensive. The oldest extant manuscripts date to only a couple of decades after the saga's composition in the late 13th century and the saga was subsequently copied by hand continuously up until the 20th century, even alongside the circulation of printed text editions in latter centuries. The manuscript corpus as a whole has great socio-historical value, showcasing the myriad ways in which generations of Icelanders interpreted the saga and took an active part in its transmission the manuscripts are also valuable sources for evidence of linguistic change and other phenomena. The essays in this volume present new research and a range of interdisciplinary perspectives on the Njls saga manuscripts. Many of the authors took part in the international research project The Variance of Njls saga whi

New Studies in the Manuscript Tradition of Njls Saga | skarsdttir Svanhildur | Twarda

pBook with fine art photos of fantastic landscapes and stories of bizarre Monsters, Spirits  Beasts from traditional Icelandic folklore and Viking Sagas.Saga ya means The Saga Island. It's a book about mythical creatures that live in Iceland according to traditional folklore. These are the creatures from the age of vikings described in numerous Icelandic Sagas. Many icelanders to this day believe that these monsters, spirits and beasts are still exist. The Saga Island combines stories and descriptions of these mythical beasts with a conceptual series of fine art photographs shot on location in Iceland. Each photograph depicts a unique location in Iceland corresponding to creature's natural habitat and encounters with humans. In addition to many captivating and often terrifying stories you will also read about creature's magical abilities as well as methods to defeat them, which might prove very useful next time you are in Iceland.p

Sagaoya | The Saga Island | Thor | Twarda

My Parents Memoirs of New World Icelanders is a collection of essays written by second-generation Icelandic immigrants in North America, describing the lives of their parents. Originally collected in 1956 by Dr. Finnbogi Gumundsson, the first Chair of Icelandic at the University of Manitoba, seven of the fourteen memoirs are translated here from Icelandic to English. They offer a rare first-hand look into the lives of New World immigrants of the late nineteenth and early twentieth centuries. Readers are invited straight into the heart of these people's lives, from social evenings spent reading poetry and the sagas, to the daily struggles to prepare the land and build homes. A prevailing sense of community emerges from the writers' stories, showing how Icelandic culture and tradition sustained the immigrants through hardship, illness, and isolation. My Parents also details some of the genealogy of the New World Icelanders who settled in Manitoba, Saskatchewan, Alberta, Wisconsin, North 

My Parents | Bjarnadottir Birna | Twarda

A beautifully crafted narrative about a turn of the nineteenth-century poet whose life on, and of, the land challenged him to hold to his roots in Iceland while yet wrestling with the vicissitudes of transplantation to the emerging cultures of North America. This book is as much about the transformative particulars of place as it is about the man whose extraordinary poetic record of them reveals a soul torn by alternating turmoil and peace. - John H. Wadland, Professor Emeritus, Department of Canadian Studies, Trent University, Peterborough, Ontario. About the author Vioar Hreinsson, an independent literary scholar, grew up on a farm in the North of Iceland. A lecturer on various aspects of Icelandic literary and cultural history at universities in Iceland, Denmark, and Canada, he also acted as general editor of the acclaimed five-volume series The Complete Sagas of Icelanders, published in 1997. His two-volume biography of Icelandic-Canadian literary giant Stephan G. Stephansson was p

Wakeful Nights Stephan G. Stephansson | Hreinsson Vidar | Twarda

This volume is the first book-length study of masculinities in the Sagas of Icelanders. Spanning the entire corpus of the Sagas of IcelandersDLand taking into account a number of little-studied sagas as well as the more well-known worksDLit comprehensively interrogates the construction, operation, and problematization of masculinities in this genre. pemMen and Masculinities in the Sagas of Icelanders emelucidates the dominant model of masculinity that operates in the sagas, demonstrates how masculinities and masculine characters function within these texts, and investigates the means by which the sagas, and saga characters, may subvert masculine dominance. Combining close literary analysis with insights drawn from sociological theories of hegemonic and subordinated masculinities, notions of homosociality and performative gender, and psychoanalytic frameworks, the book brings to men and masculinities in saga literature the same scrutiny traditionally brought to the study of women and fe

Men and Masculinities in the Sagas of Icelanders | Evans Gareth Lloyd | Twarda | Twarda

This book provides an accessible introduction to the Sagas of Icelanders, exploring cultural and historical contexts. Authored by an expert, it examines themes like belief systems, family dynamics, and gender roles. It covers diverse medieval tales, foreign influences, literary styles, and offers summaries of the 40 preserved sagas.

The Sagas of Icelanders | Lassen Annette | Twarda

pbiSea Sagas of the Northi interweaves prose chapters and alliterative sagas. Each chapter tells of travels across shores, seas and islands. This is the territory of sagas, the Norse and Anglo-Saxon gods of old, and the mythic era of Viking expansion by clinkered longships. It was when dragons protected people from themselves by hiding gold and silver hoards. b p There are shadows on the warming, northern seas. Long ago, refugees fled Doggerland when seas encroached. Now rising seas threaten the low-lying shores once again.ppJules Pretty tells moving stories from Iceland, Norway's Lofoten islands, Denmark, eastern England, Lindisfarne, Shetland, St Kilda and the Faroes. His touching tales weave a rich cultural tapestry from sagas, the heroic cliff rescues of deep-water fishermen by Icelanders, how Vikings and sheep left so few trees, the miraculous escape of Danish Jews to Sweden from Denmark in 1943, the rise of Abbess Hildr of Whitby, the enslaved Grimsby orphan boys and life on Dogg

Sea Sagas of the North | Pretty Jules | Twarda

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pHow can music withstand the death and destruction brought on by war Global conflicts of the 20th century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. iMusic in World War IIi explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war's musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of war music in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, 

Music in World War II | Potter Pamela M. | Twarda

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the sagas of icelanders