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This collection consists of eight essays that examine the way narratives determine our understanding of old age and condition how the experience is lived. Contributors to this volume have based their analysis on the concept of »narrative identity« developed by Paul Ricoeur, built upon the idea that fiction makes life, and on his definition of »trace« as the mark of time. By investigating the traces of aging imprinted in a series of literary and filmic works they dismantle the narrative of old age as decline and foreclosure to assemble one of transformation and growth.

Traces of Aging

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In volume 1 of this three-volume work, Paul Ricoeur examined the relations between time and narrative in historical writing. Now, in volume 2, he examines these relations in fiction and theories of literature. p Ricoeur treats the question of just how far the Aristotelian concept of plot in narrative fiction can be expanded and whether there is a point at which narrative fiction as a literary form not only blurs at the edges but ceases to exist at all. Though some semiotic theorists have proposed all fiction can be reduced to an atemporal structure, Ricoeur argues that fiction depends on the reader's understanding of narrative traditions, which do evolve but necessarily include a temporal dimension. He looks at how time is actually expressed in narrative fiction, particularly through use of tenses, point of view, and voice. He applies this approach to three books that are, in a sense, tales about time Virgina Woolf's iMrs. Dallowayi Thomas Mann's iMagic Mountaini and Marcel Proust's iR

Time and Narrative, Volume 2 | Ricoeur Paul | Paperback | Twarda

The object of this book, writes William C. Dowling in his preface, is to make the key concepts of Paul Ricoeur's iTime and Narrativei available to readers who might have felt bewildered by the twists and turns of its argument. The sources of puzzlement are, he notes, many. For some, it is Ricoeur's famously indirect style of presentation, in which the polarities of argument and exegesis seem so often and so suddenly to have reversed themselves. For others, it is the extraordinary intellectual range of Ricoeur's argument, drawing on traditions as distant from each other as Heideggerian existentialism, French structuralism, and Anglo-American analytic philosophy. Yet beneath the labyrinthian surface of Ricoeur's iTemps et rciti, Dowling reveals a single extended argument that, though developed unsystematically, is meant to be understood in systematic terms. iRicoeur on Time and Narrativei presents that argument in clear and concise terms, in a way that will be enlightening both to reader

Ricoeur on Time and Narrative | Dowling William C. | Twarda

William C. Dowling is University Distinguished Professor of English and American Literature emeritus at Rutgers University. His previous publications include The Epistolary Moment A Poetics of the Eighteenth-Century Verse Epistle, Poetry and Ideology in Revolutionary Connecticut Literary Federalism in the Age of Jefferson, JamesonAlthusserMarx, The Senses of the Text Intensional Semantics and Literary History, Ricoeur on Time and Narrative, and Confessions of a Spoilsport, an account of the struggle against commercialized college athletics at Rutgers and other Div IA schools. ln 20l2 he received the Drake Group's Robert Maynard Hutchins Award for his advocacy of a return to participatory athletics in American higher education. A Reader's Companion to Infinite Jest, co-authored with Robert H. Bell of Williams College, was published by Xlibris in 2005.

Professor's Song | Dowling William C. | Twarda

In this work, Xavier Lakshmanan argues for a textual linguistic approach to Christian theology. The book takes its shape in conversation with Paul Ricoeur's philosophical thought, demonstrating how Ricoeur's hermeneutic philosophy can inform the way Christians interpret and appropriate biblical narratives without delimiting the potential of the text or eroding the distinctiveness of its language. The text can be appropriated in ways that address the fundamental questions of life. New meanings are constantly generated from the same text in order to describe and redescribe existence, and form human identity. The self is linked inseparably with narrative every interpretation of narrative is at the same time a reinterpretation of the self and of its possibilities. In such interpretative processes, the reader interprets the text and the text interprets the reader at the same time through an interactive reading. Accordingly, the aim of interpreting the narratives is to open up the world of t

Textual Linguistic Theology in Paul Ricoeur | Lakshmanan Xavier | Twarda | Twarda

pAt a time when biblical authority was under challenge from the Higher Criticism and evolutionary science, 'what providence meant' was the most keenly contested of questions. This book takes up the controversial subject of Dickens and religion, and offers a significant contribution to the interdisciplinary area of religion and literature. In a close study of major novels, it argues that networks of biblical allusion reveal the Judeo-Christian grand narrative as key to his development as a writer, and as the ontological ground on which he stands to appeal to 'the conscience of a Christian people'. Engaging the biblical narrative in dialogue with other contemporary narratives that concern themselves with origins, destinations, and hermeneutic decipherments, the inimitable Dickens affirms the Bible's still-active role in popular culture. The providential thinking of two twentieth-century theorists, Bakhtin and Ricoeur, sheds light on an exploration of Dickens's narrative theology. p

Dickens and the Bible | Gribble Jennifer | Twarda

Grossman examines the narrative form of Paradise Lost to discover Milton's thoroughly modern concept of self. Banished from paradise, the epic poem's protagonists become authors to themselves in allBoth what they judge and what they choose, left to create their own story in relation to the story already written by God. Grossman believes the resulting structure of the poem must be understood in the context of seventeenth-century historical and theological developments, specifically Bacon's notion of history as progress and Protestant theology's notion of the inner voice. The book draws upon recent works in hermeneutics and analytic history to develop the argument that there is a common structure to the experience of time in action and in narrative. In developing this thesis, Grossman draws on the work Stephen Greenblatt, Ricoeur, Todorov, Genette, Derrida, and Lacan to construct an original reading of Paradise Lost that will fascinate Miltonists, specialists in seventeenth-century liter

Authors to Themselves | Grossman Marshall | Twarda

iA Companion to the Philosophy of Actioni offers a comprehensive overview of the issues and problems central to the philosophy of action. ulliThe first volume to survey the entire field of philosophy of action the central issues and processes relating to human actions liliBrings together specially commissioned chapters from international experts liliDiscusses a range of ideas and doctrines, including rationality, free will and determinism, virtuous action, criminal responsibility, Attribution Theory, and rational agency in evolutionary perspective liliIndividual chapters also cover prominent historic figures from Plato to Ricoeur liliCan be approached as a complete narrative, but also serves as a work of reference liliOffers rich insights into an area of philosophical thought that has attracted thinkers since the time of the ancient Greeks liul

A Companion to the Philosophy of Action | O'Connor Timothy | Paperback | Twarda

iTime and Narrativei builds on Paul Ricoeur's earlier analysis, in iThe Rule of Metaphori, of semantic innovation at the level of the sentence. Ricoeur here examines the creation of meaning at the textual level, with narrative rather than metaphor as the ruling concern. p Ricoeur finds a healthy circle between time and narrative time is humanized to the extent that it portrays temporal experience. Ricoeur proposes a theoretical model of this circle using Augustine's theory of time and Aristotle's theory of plot and, further, develops an original thesis of the mimetic function of narrative. He concludes with a comprehensive survey and critique of modern discussions of historical knowledge, understanding, and writing from Aron and Mandelbaum in the late 1930s to the work of the Annales school and that of Anglophone philosophers of history of the 1960s and 1970s. p This work, in my view, puts the whole problem of narrative, not to mention philosophy of history, on a new and higher plane o

Time and Narrative, Volume 1 | Ricoeur Paul | Paperback | Twarda

In the first two volumes of this work, Paul Ricoeur examined the relations between time and narrative in historical writing, fiction, and theories of literature. This final volume, a comprehensive reexamination and synthesis of the ideas developed in volumes 1 and 2, stands as Ricoeur's most complete and satisfying presentation of his own philosophy. pRicoeur's aim here is to explicate as fully as possible the hypothesis that has governed his inquiry, namely, that the effort of thinking at work in every narrative configuration is completed in a refiguration of temporal experience. To this end, he sets himself the central task of determing how far a poetics of narrative can be said to resolve the aporias--the doubtful or problematic elements--of time. Chief among these aporias are the conflicts between the phenomenological sense of time that experienced or lived by the individual and the cosmological sense that described by history and physics on the one hand and the oneness or unitary 

Time and Narrative, Volume 3 | Ricoeur Paul | Paperback | Twarda

pAt a time when biblical authority was under challenge from the Higher Criticism and evolutionary science, 'what providence meant' was the most keenly-contested of questions. This book takes up the controversial subject of Dickens and religion. In a close study of major novels, it argues that networks of biblical allusion reveal the Judeo-Christian grand narrative as key to his development as a writer, and as the ontological ground on which he stands to appeal to 'the conscience of a Christian people'. Engaging the biblical narrative in dialogue with other contemporary narratives that concern themselves with origins, destinations, and hermeneutic decipherments, Dickens affirms the Bible's still-active role in popular culture. This book draws on the providential thinking of two twentieth century theorists, Bakhtin and Ricoeur, in tracing the development of Dickens's narrative theology. It makes a new and challenging contribution to the interdisciplinary area of literature and religion. 

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