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pAfter deciding to terminate his authorship with the pseudonymous iConcluding Unscientific Postscripti, Kierkegaard composed reviews as a means of writing without being an author. iTwo Agesi, here presented in a definitive English text, is simultaneously a review and a book in its own right. In it, Kierkegaard comments on the anonymously published Danish novel iTwo Agesi, which contrasts the mentality of the age of the French Revolution with that of the subsequent epoch of rationalism. p Kierkegaard commends the author's shrewdness, and his critique builds on the novel's view of the two generations. With keen prophetic insight, Kierkegaard foresees the birth of an impersonal cultural wasteland, in which the individual will either be depersonalized or obliged to find an existence rooted in equality before God and equality with all men. p This edition, like all in the series, contains substantial supplementary material, including a historical introduction, entries from Kierkegaard's jour

Kierkegaard's Writings, XIV, Volume 14 | Kierkegaard Sren | Twarda

iMarriage, Writing, and Romanticismi studies marriage in two sets of literary texts from the Regency decade the novels of Jane Austen--who avoided marriage in her own life but seems to have written about nothing else--and a set of non-canonical and generally unfamiliar poems by William Wordsworth, who seems never to turn to the subject of his own marriage. pWith other Romantic writers who also figure in this study, Austen and Wordsworth confronted the impossibility of writing about anything other than marriage and the imperative either to celebrate or condemn it. Thanks to the latest scholarly editions of Wordsworth, Walker introduces previously undiscussed material. pWalker reads conjugality as the compulsory ground of modern identity, an Enlightenment legacy we still grapple with today, and offers new perspectives on literature through the writing of Austen and Wordsworth and theories of marriage in Godwin, Wollstonecraft, Hegel, Kierkegaard, and, in our time, Adam Phillips and Stanl

Marriage, Writing, and Romanticism | Walker Eric C. | Twarda

Is morality too difficult for human beings Kant said that it was, except with God's assistance. Contemporary moral philosophers have usually discussed the question without reference to Christian doctrine, and have either diminished the moral demand, exaggerated human moral capacity, or tried to find a substitute in nature for God's assistance. This book looks at these philosophers--from Kant and Kierkegaard to Swinburne, Russell, and R.M. Hare--and the alternative in Christianity.

The Moral Gap | Hare John E. | Twarda

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.  The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification  SOren Kierkegaard Og Emil Boesen Breve Og Indledning, Med Et TillAEg Carl Frederik Koch SchOnberg, 1901

Soren Kierkegaard Og Emil Boesen | Koch Carl Frederik | Twarda

pFirst published in 1849 under the pseudonym Anti-Climacus, Soren Kierkegaard's emThe Sickness unto Deathem endures as a seminal text in the history of theology and moral philosophy, and an essential companion to his earlier works. Beginning with the biblical story of Lazarus, whom Jesus miraculously raised from the dead, Kierkegaard here presents his explication of despair as the sickness unto death, that is, a sickness not of the body, but of the spirit, and thus, of the self. A dramatic medical history of the course of this sickness, emThe Sickness unto Deathem culminates, as all medical histories do, in a crisis, a turning point at which the self, the patient, either realizes or abandons itself. Masterfully translated by Bruce H. Kirmmse, with his historian's eye and craftsman's feel for the challenges of Kierkegaard's syntax Vanessa Parks Rumble, this trenchant, explosive inquiry into the human soul spares no one, not even its author.p

The Sickness Unto Death | Kierkegaard Sren | Twarda

pS ren Kierkegaard, the nineteenth-century Danish philosopher rediscovered in the twentieth century, is a major influence in contemporary philosophy, religion, and literature. He regarded iEitherOri as the beginning of his authorship, although he had published two earlier works on Hans Christian Andersen and irony. The pseudonymous volumes of iEitherOri are the writings of a young man I and of Judge William II. The ironical young man's papers include a collection of sardonic aphorisms essays on Mozart, modern drama, and boredom and The Seducer's Diary. The seeming miscellany is a reflective presentation of aspects of the either, the esthetic view of life. pbr Part II is an older friend's or, the ethical life of integrated, authentic personhood, elaborated in discussions of personal becoming and of marriage. The resolution of the eitheror is left to the reader, for there is no Part III until the appearance of iStages on Life's Wayi. The poetic-reflective creations of a master stylist an

Kierkegaard's Writing, III, Part I | Kierkegaard Sren | Twarda

piResearch on Altruism and Lovei is a compendium of annotated bibliographies reviewing literature and research studies on the nature of love. An essay introduces each of the annotated bibliographies. pp A variety of literature either directly related to science-and-love issues or supporting literature for those issues is covered in the Religious Love Interfaces with Science section. This annotated bibliography is unique in that it approaches the field from a decidedly religious perspective. It includes classical expositions of love that continue to influence contemporary scholars, including Platos' work on eros, the work and words of Jesus, Aristotle, Augustine of Hippo, Martin Luther, Kierkegaard, and Ghandi, among others. The contemporary discussion includes Anders Nygren's theological arguments in his classic, iAgape and Erosi Pitirim Sorokin and others. An issue that often emerges in this literature is the question of the nature and definition of love. pp A second annotated bibliog

Research on Altruism & Love | Post Stephen | Twarda

Existentialism is often studied by students with little or no background in philosophy either as an introduction to the idea of studying philosophy or as part of a literary course. Although it is often an attractive topic for students interested in thinking about questions of 'self' or 'being', it also requires them to study difficult thinkers and texts. This emGuideem emfor the Perplexedem begins with the question of 'What is Existentialism' and then moves on to provide a brief analysis of the key thinkers, writers and texts - both philosophical and literary - central to existentialism. Chapters focus particularly on Kierkegaard, Heidegger, Sartre and Camus but also discuss other philosophers and writers such as Nietzsche, Dostoevsky and Kafka. The second section of the emGuideem introduces key topics associated with existentialist thought Self, Consciousness, the question of God and Commitment. Each chapter explains the concepts and debates and provides guidance on reading and analys

Existentialism | Earnshaw Steven | Twarda

Kierkegaard's Writings IV, Part II | Kierkegaard Sren | Twarda

In iEitherOri, using the voices of two characters--the aesthetic young man of part one, called simply A, and the ethical Judge Vilhelm of the second section--Kierkegaard reflects upon the search for a meaningful existence, contemplating subjects as diverse as Mozart, drama, boredom, and, in the famous Seducer's Diary, the cynical seduction and ultimate rejection of a young, beautiful woman. A masterpiece of duality, iEitherOri is a brilliant exploration of the conflict between the aesthetic and the ethical - both meditating ironically and seductively upon Epicurean pleasures, and eloquently expounding the noble virtues of a morally upstanding life. pFor more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by intro

Either/Or | Kierkegaard Soren | Twarda

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Soren Kierkegaard | Kierkegaard Soren | Paperback | Twarda

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pHow can music withstand the death and destruction brought on by war Global conflicts of the 20th century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. iMusic in World War IIi explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war's musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of war music in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, 

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