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&apos;Damn, all my cheating secrets revealed. In book form&apos; Stephen Fry Which philosopher had the maddest hairstyle? Which novelist drank 50 cups of black coffee every day? What on earth did Simone de Beauvoir see in Jean-Paul Sartre? How to Sound Cultured offers a wry and yet profoundly useful look inside the mirrored palaces of high culture. Covering such inscrutable characters as Heidegger, Montaigne, Kahlo and Lévi-Strauss (apparently not just a designer of jeans), inscrutable polymaths Thomas W. Hodgkinson and Hubert van den Bergh – the author of the acclaimed How to Sound Clever – have done the hard work of sorting the cultural wheat from the chaff. Read this book and you'll never again mistake Rimbaud for Rambo or Georg Lukacs for George Lucas, you'll know precisely when to drop Foucault's name into a conversation and how to pronounce 'Borgesian', and you'll learn many more essential pointers for the intellectual life.

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pbSydney Taylor Honor Award Winner iBlack Radishesi is a suspenseful WWIIHolocaust story, in which one boy learns what it means to be Jewish and French at a time when everything is changing.b p Gustave doesn't want to move from the exciting city to the boring countryside, far from his cousin Jean-Paul and his best friend, the mischievous Marcel. But he has no choice. It is March of 1940, and Paris is not a safe place for Jews.br When Paris is captured by the Nazis, Gustave knows that Marcel, Jean-Paul, and their families must make it out of the occupied zone. And when he learns that his new friend Nicole works for the French Resistance, he comes up with a plan that just might work. But going into Occupied France is a risky thing to do when you are Jewish. And coming back alive iThati is nearly impossible. pbAnd don't miss iSkating with the Statue of Libertyi, the gripping and poignant companion to iBlack Radishes, i which follows Gustave as he embarks on new adventures in New York City

Black Radishes | Meyer Susan Lynn | Paperback | Twarda

First published in 1961, Frantz Fanon's iThe Wretched of the Earthi is a masterful and timeless interrogation of race, colonialism, psychological trauma, and revolutionary struggle. In 2020, it found a new readership in the wake of the Black Lives Matter protests and the centering of narratives interrogating race by Black writers. Bearing singular insight into the rage and frustration of colonized peoples, and the role of violence in spurring historical change, the book incisively attacks the twin perils of post-independence colonial politics the disenfranchisement of the masses by the elites on the one hand, and intertribal and interfaith animosities on the other. A landmark text for revolutionaries and activists, iThe Wretched of the Earthi is an eternal touchstone for civil rights, anti-colonialism, psychiatric studies, and Black consciousness movements around the world. Translated by Richard Philcox, and featuring now-classic critical essays by Jean-Paul Sartre and Homi K. Bhabha, 

The Wretched of the Earth | Fanon Frantz | Paperback | Twarda

pNaples, 1806. The new kingdom is under attack from forces that even Napoleon's mighty army cannot defeat. An antediluvian evil has risen and seeks to regain her lost power. The undead are remaking the city into a land of plague and ashes.ppThe Emperor dispatches his vampire hunters, the dour swordmaster Jean Pierre S verin and the Austrian exorcist Franz Karnstein. With the aid of Bartolomeo Dardi and his lovely daughter, Sylvia, they will face the dreaded Neapolitan secret police, undead creatures from the Vampire City of Selene, horrors from beyond, as well as the deadly Michele Bozzo, a.k.a. Fra Diavolo, the future leader of the Black Coats br  br  Frank Schildiner is the author of Napoleon's Vampire Hunters and two Frankenstein novels, and is a regular contributor to the popular Tales of the Shadowmen series. This novel, like its predecessor, draws from characters created by legendary French author Paul F val.p

The Devil Plague of Naples | Schildiner Frank | Paperback | Twarda

Author and radio personality Stanley Pan is a jazz scholar who takes us seamlessly and knowledgeably through the history of the music, stopping at a number of high points along the way. He gets behind the scenes with anecdotes that tell much about the misunderstandings that have surrounded the music. How could French existentialist writer Jean-Paul Sartre have mixed up Afro-Canadian songwriter Shelton Brooks with the Jewish-American belter Sophie Tucker What is the real story behind the searing classic Strange Fruit made immortal by Billie Holiday, who at first balked at performing it Who knew that an Ohio housewife named Sadie Vimmerstedt was behind the revenge song I wanna be around to pick up the pieces when somebody breaks your heart And since this is jazz, there is no shortage of sad ends Bix Beiderbecke, Chet Baker, Lee Morgan, to name a few.

Black and Blue | Pan Stanley | Twarda

Fascinating conversations with Uncle Paul reveal the mysteries behind the dyeing and weaving of cloth, the lighting and heating of homes, the processing involved in bringing oil, coffee, tea, spices, and other foodstuffs to the table, and the power of water in all its manifestations. Excellent as follow-on to The Story Book of Science. Numerous black and white illustrations complement the text. Suitable for ages 11 and up.

The Secret of Everyday Things | Fabre Jean Henri | Twarda

bIn this lively and fully-illustrated work, two music historians break down every album and every song ever released by the Beatles, from Please Please Me U.S. 1963 to The Long and Winding Road U.S. 1970.b piAll the Songsi delves deep into the history and origins of the Beatles and their music. This first-of-its-kind book draws upon decades of research, as music historians Margotin and Guesdon recount the circumstances that led to the composition of every song, the recording process, and the instruments used. p Here, we learn that one of John Lennon's favorite guitars was a 1958 Rickenbacker 325 Capri, which he bought for  100 in 1960 in Hamburg, Germany. We also learn that Love Me Do, recorded in Abbey Road Studios in September 1962, took 18 takes to get right, even though it was one of the first songs John and Paul ever wrote together. The authors also reveal that when the Beatles performed I Want to Hold Your Hand on iThe Ed Sullivan Showi in 1964, John's microphone wasn't turned on

All the Songs | Guesdon Jean | Michel | Twarda

A critique of theory through literature that celebrates the diversity of black being, The Desiring Modes of Being Black explores how literature unearths theoretical blind spots while reasserting the legitimacy of emotional turbulence in the controlled realm of reason that rationality claims to establish. This approach operates a critical shift by examining psychoanalytical texts from the literary perspective of black desiring subjectivities and experiences. This combination of psychoanalysis and the politics of literary interpretation of black texts helps determine how contemporary African American and black literature and queer texts come to defy and challenge the racial and sexual postulates of psychoanalysis or indeed any theoretical system that intends to define race, gender and sexualities. pThe Desiring Modes of Being Black includes essays on James Baldwin, Sigmund Freud, Melvin Dixon, Essex Hemphill, Assotto Saint, and Rozena Maart. The metacritical reading they unfold interweav

The Desiring Modes of Being Black | Rocchi Jean | Paul | Twarda

Acclaimed upon its initial release, iBlack Poets of the United Statesi continued to spark comment and analysis for years afterward. Jean Wagner's masterpiece delves into the vital union of racial and religious feeling in the Black poets who emerged from 1890 to 1940. Beginning with the evolution of Black lyrical expression, Wagner moves into a focused study of Paul Laurence Dunbar and his contemporaries, and how these artists struggled against stereotypes stemming from minstrelsy, popular song, and southern white writing. His look at the twentieth-century Black Renaissance explores the works, themes, concerns, and experiences of poets like Claude McKay, Jean Toomer, Countee Cullen, James Weldon Johnson, Sterling Brown, Langston Hughes.

Black Poets of the United States | Wagner Jean | Twarda

The Negritude movement was initiated in the 1930s by the sisters Jane and Paulette Nardal, who created a journal called The Review of the African World-- a journal that recognized the value of black experiences globally. The name of the movement was grafted from a poem by Aimie Cesaire, The Return to the Native Land. Negritude flourished between 1930 and 1960, until its eventual collapse due to problems with definitions, ideological floundering, and the burden of foreign language that was inflicted by the writings of Jean Paul Sartre.

The Crisis of Negritude | Egar Emmanuel Edame | Twarda

bTwo long Sartre essays that explore the N gritude poetry movement and the work of French writer Francis Ponge.b p Iconic French novelist, playwright, and essayist Jean-Paul Sartre is widely recognized as one of the most important philosophers of the twentieth century, and his work has remained relevant and thought-provoking through the decades. The Seagull Sartre Library now presents some of his most incisive philosophical, cultural, and literary critical essays in twelve newly designed and affordable editions. piOn Poetryi includes two long essays in this slim volume. The first explores the N gritude poetry movement by analyzing the work of several Black poets of the time. The second is a meditation on the poetry of renowned French author Francis Ponge 1899-1988, who, influenced by surrealism, developed his unique form of prose poetry.

On Poetry | Sartre Jean | Paul | Paperback | Twarda

iCool. iIt was a new word and a new way to ibei, and in a single generation, it became the supreme compliment of American culture. iThe Origins of Cool in Postwar Americai uncovers the hidden history of this concept and its new set of codes that came to define a global attitude and style. As Joel Dinerstein reveals in this dynamic book, cool began as a stylish defiance of racism, a challenge to suppressed sexuality, a philosophy of individual rebellion, and a youthful search for social change. p Through eye-opening portraits of iconic figures, Dinerstein illuminates the cultural connections and artistic innovations among Lester Young, Humphrey Bogart, Robert Mitchum, Billie Holiday, Frank Sinatra, Jack Kerouac, Albert Camus, Marlon Brando, and James Dean, among others. We eavesdrop on conversations among Jean-Paul Sartre, Simone de Beauvoir, and Miles Davis, and on a forgotten debate between Lorraine Hansberry and Norman Mailer over the white Negro and black cool. We come to understand

The Origins of Cool in Postwar America | Dinerstein Joel | Twarda | Twarda

iWhat is Literaturei remains the most significant critical landmark of French literature since World War II. Neither abstract nor abstruse, it is a brilliant, provocative performance by a writer more inspired than cautious. iWhat is Literature ichallenges anyone who writes as if literature could be extricated from history or society. But Sartre does more than indict. He offers a definitive statement about the phenomenology of reading, and he goes on to provide a dashing example of how to write a history of literature that takes ideology and institutions into account. This new edition of iWhat is Literaturei also collects three other crucial essays of Sartre's for the first time in a volume of his. The essays presenting Sartre's monthly, iLes Temps modernesi, and on the peculiarly French manner of nationalizing literature do much to create a context for Sartre's treatise. Black Orpheus has been for many years a key text for the study of black and third-world literatures.

What Is Literature? and Other Essays | Sarte Jean Paul | Paperback | Twarda

pA central criticism emerging from Black and Creole thinkers is that mainstream, white dominated, culture, consumes sounds and images of Creole and Black people in music, theater, and the white press, while ignoring critiques of the white consumption of black culture. Ironically, critiques of whiteness are found not only in black literature and media, but also within the blues, jazz, and spirituals that whites listened to, loved, collected, and archived. pThis book argues that whiteness is not only a visual orientation it is a way of hearing. Inspired by formulations of the race and whiteness in the existential writings of Frantz Fanon, Simone de Beauvoir, Jean-Paul Sartre, W.E.B. Du Bois, Richard Wright, Lewis Gordon, Angela Davis, bell hooks and Sara Ahmed, T Storm Heter introduces the notion of the white sonic gaze.pp brThrough case studies and musical examples from the history of American jazz, the book builds a phenomenological archive to demonstrate the bad habits of 'white liste

The Sonic Gaze | Heter T. Storm | Twarda

A central criticism emerging from Black and Creole thinkers is that mainstream, white dominated, culture, consumes sounds and images of Creole and Black people in music, theater, and the white press, while ignoring critiques of the white consumption of black culture. Ironically, critiques of whiteness are found not only in black literature and media, but also within the blues, jazz, and spirituals that whites listened to, loved, collected, and archived. This book argues that whiteness is not only a visual orientation it is a way of hearing. Inspired by formulations of the race and whiteness in the existential writings of Frantz Fanon, Simone de Beauvoir, Jean-Paul Sartre, W.E.B. Du Bois, Richard Wright, Lewis Gordon, Angela Davis, bell hooks and Sara Ahmed, T Storm Heter introduces the notion of the white sonic gaze. Through case studies and musical examples from the history of American jazz, the book builds a phenomenological archive to demonstrate the bad habits of 'white listening',

The problem of antiblack racism has a long history in the world, with as long a history of thinkers writing and theorizing against it. Few philosophers have opposed institutionalized racialism as vehemently as Jean-Paul Sartre, both in his intellectual work and in his political action. This book argues that not only does a relationship exists between Sartre's existentialist philosophy and antiracism but also, more profoundly, that it is precisely his existential ontology that informs his anti-racist social and political commitments. He sought to examine the complexity of our existence as conscious bodies and thus provides the ontological basis for understanding the situation of a black person in an antiblack world. This book is about how Sartre's philosophy - especially his early writings - can be applied to address the problem of racism against black people. It argues that among the many concepts in Sartre's work that are useful in understanding the problem of racism against black peo

Sartre on Contingency | More Mabogo Percy | Twarda

Jean-Antoine Houdon 1741-1826 has long been recognized as the greatest European portrait sculptor of the late eighteenth century, flourishing during both the American and French Revolutions as well as during the Directoire and Empire in France. Whether sculpting a head of state, an intellectual, or a young child, Houdon had an uncanny ability to capture the essence of his subject with a characteristic pose or expression. Yet until now, Houdon's exquisite sculptures have never been the subject of a major exhibition. pThis lavish exhibition catalogue, now available in paperback, is the definitive work on Houdon. With more than one hundred color plates and two hundred black and white halftones, iJean-Antoine Houdon Sculptor of the Enlightenment iillustrates every stage of the sculptor's fascinating career, from his early portrayals of Louis XVI and Marie Antoinette to his stunning portraits of American patriots such as George Washington, the Marquis de Lafayette, John Paul Jones, Benjamin

Jean | Antoine Houdon | Poulet Anne L. | Twarda

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