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ENbook.pl

pThis volume consists of two lecture series given by Heidegger in the 1940s and 1950s. The lectures given in Bremen constitute the first public lectures Heidegger delivered after World War II, when he was officially banned from teaching. Here, Heidegger openly resumes thinking that deeply engaged him with Holderlin's poetry and themes developed in his earlier works. In the Freiburg lectures Heidegger ponders thought itself and freely engages with the German idealists and Greek thinkers who had provoked him in the past. Andrew J. Mitchell's translation allows English-speaking readers to explore important connections with Heidegger's earlier works on language, logic, and reality.p

Bremen and Freiburg Lectures | Heidegger Martin | Twarda

pThe essays collected in this volume take a new look at the role of language in the thought of Martin Heidegger to reassess its significance for contemporary philosophy. They consider such topics as Heidegger's engagement with the Greeks, expression in language, poetry, the language of art and politics, and the question of truth. Heidegger left his unique stamp on language, giving it its own force and shape, especially with reference to concepts such as Dasein, understanding, and attunement, which have a distinctive place in his philosophy.p

Heidegger and Language | Powell Jeffrey | Paperback | Twarda

pSince the publication of his mammoth work, emBeing and Timeem, Martin Heidegger has remained one of the most influential figures in contemporary thought, and is a key influence for modern literary and cultural theory. ppThis guidebook provides an ideal entry-point for readers new to Heidegger, outlining such issues and concepts as pul p p lithe limits of 'theory'li lithe history of beingli lithe origin of the work of artli lilanguageli lithe literary workli lipoetry and the politicalli liHeidegger's involvement with Nazism.li ulpFully updated throughout and featuring a new section on enviromental thought and ecocriticism, this guidebook clearly and concisely introduces Heidegger's crucial work relating to art, language and poetry, and outlines his continuing influence on critical theory.

Martin Heidegger | Clark Timothy | Paperback | Twarda

pThe title, and to some extent, the thematics of this book, is based on the volume's epigraph, a sentence of Geoffrey Hartman's The sacred has so inscribed itself in language that while it must be interpreted, it cannot be removed. I explore this sense of inscription and trace as it relates to poetry, especially with respect to aspects of Judaic thought and Buddhist influences, the poetics of Walter Benjamin and Heidegger, in relation to a number of the Objectivist poets Oppen, Reznikoff and Rakosi, the Israeli poet, Hyam Bialik, Wallace Stevens, H.D., Robert Duncan and Allen Grossman.ppThe writings constitute a continuation of the interests and themes developed in my poetry and in my three previous essay collections, mainly reflections that focus primarily on poetic language among the poets whom I have referenced and thinkers who throughout their work have been concerned with the relationship of language to religious and spiritual traditions and to the questions of uncertainty and poe

Within the Inscribed | Heller Michael | Twarda

Heidegger's turn to poetry in the latter half of his career is well known, but his own verse has to date received relatively little attention. How can we understand Heideggerian poetics without a thorough reading of the poet's own verse Thought-Poems offers a translation of GA81 of Heidegger's collected works, where the reader can read the German version alongside the English text. Musical, allusive, engaged deeply with humanity's primordial relationships, the Gedachtes or thought-poems here translated show Heidegger's language at its most beautiful, and open new ways to conceive of the relationship between language and being.

Thought Poems | Heidegger Martin | Twarda

pSoundingSilence charts Heidegger's deep engagement with poetry, situating it within the internal dynamics of his thought and within the domains of poetics and literary criticism. Heidegger viewed poetics and literary criticism with notorious disdain He claimed that his Erl uterungen soundings of Holderlin's poetry were not contributions to aesthetics and literary history but rather stemmed from a necessity for thought. And yet, the questions he poses--the value of significance of prosody and trope, the concept of poetic language, the relation between language and body, the truth of poetry--reach to the very heart of poetics as a discipline and indeed situate Heidegger within a wider history of thinking on poetry and poetics. Opening up points of contact between Heidegger's discussions of poetry and technical and critical analyses of these poems, brNowell-Smith addresses a lacuna within Heidegger scholarship and sets off from Heidegger'sbrthought to sketch a philosophical poetics of li

Sounding/Silence | Nowell Smith David | Twarda

pemPoetry, Language, Thoughtem collects Martin Heidegger's pivotal writings on art, its role in human life and culture, and its relationship to thinking and truth. Essential reading for students and anyone interested in the great philosophers, this book opens up appreciation of Heidegger beyond the study of philosophy to the reaches of poetry and our fundamental relationship to the world. Featuring The Origin of the Work of Art, a milestone in Heidegger's canon, this enduring volume provides potent, accessible entry to one of the most brilliant thinkers of modern times.p

Poetry, Language, Thought | Heidegger Martin | Paperback | Twarda

This book concerns itself with the origin of speech and language, takes the reader through the steps of dialectic how to reason and rhetoric how to persuade, examines the importance of stories and symbols and the role of thinking, and highlights the necessity of silence and the practice of meditation. Though it is written from a philosophical perspective, it is eminently practical, with guidelines, exercises, ancient advice, and concrete suggestions on how to communicate, convince, and commune with one's self. Dr. Costello draws on both Eastern and Western thought to show the power, poetry, and potential of words. It explores the following how to question Socrates and Plato how to argue Aristotle and Cicero how to be right Schopenhauer how to think Heidegger how to spot your speaking style the enneagram how to communicate compassionately Thich Nhat Hanh how to meditate and stay silent various contemplative traditions.

Between Speech and Silence | Costello Stephen J. | Paperback | Twarda

pThe thirteen essays in this volume represent the most sustained investigation, in any language, of the connections between Heidegger's thought and the tradition of transcendental philosophy inaugurated by Kant. This collection examines Heidegger's stand on central themes of transcendental philosophy subjectivity, judgment, intentionality, truth, practice, and idealism. Several essays in the volume also explore hitherto hidden connections between Heidegger's later post-metaphysical thinking--where he develops a topological approach that draws as much upon poetry as upon the philosophical tradition--and the transcendental project of grasping the conditions that make experience of a meaningful world possible. This volume will interest philosophers in the continental tradition, where Heidegger's thought has long had a central role, as well as those many philosophers in the analytic tradition whose own approach to knowledge, semantics, and philosophy of mind traces its roots to Kant.p

Transcendental Heidegger | Crowell Steven | Paperback | Twarda

Emily Dickinson's poetry is deeply philosophical. Recognizing that conventional language limited her thought and writing, Dickinson created new poetic forms to pursue the moral and intellectual issues that mattered most to her. This collection situates Dickinson within the rapidly evolving intellectual culture of her time and explores the degree to which her groundbreaking poetry anticipated trends in twentieth-century thought. Essays aim to clarify the ideas at stake in Dickinson's poems by reading them in the context of one or more relevant philosophers, including near-contemporaries such as Nietzsche, Kierkegaard, and Hegel, and later philosophers whose methods are implied in her poetry, including Levinas, Sartre, and Heidegger. The Dickinson who emerges is a curious, open-minded interpreter of how human beings make sense of the world - one for whom poetry is a component of a lifelong philosophical project.

Emily Dickinson and Philosophy | Deppman Jed | Twarda | Twarda

Between Speech and Silence | Costello Stephen J. | Twarda | Twarda

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pHow can music withstand the death and destruction brought on by war Global conflicts of the 20th century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. iMusic in World War IIi explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war's musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of war music in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, 

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