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pbExpanding the insights of Arlette Farge and Michel Foucault's iDisorderly Familiesi into policing, public order, injustice, and daily lifeb p br What might it mean for ordinary people to intervene in the circulation of power between police and the streets, sovereigns and their subjects How did the police come to understand themselves as responsible for the circulation of people as much as things--and to separate law and justice from the maintenance of a newly emergent civil order These are among the many questions addressed in the interpretive essays in iArchives of Infamyi.ppCrisscrossing the Atlantic to bring together unpublished radio broadcasts, book reviews, and essays by historians, geographers, and political theorists, iArchives of Infamyi provides historical and archival contexts to the recent translation of iDisorderly Familiesi by Arlette Farge and Michel Foucault. This volume includes new translations of key texts, including a radio address Foucault gave in 1983 that expla

Archives of Infamy | Luxon Nancy | Twarda

Michel Foucault was a twentieth-century philosopher of extraordinary talent, a political activist, social theorist, cultural critic and creative historian. He shaped the ways we think today about such controversial issues as power, sexuality, madness and criminality. Johanna Oksala explores the conceptual tools that Foucault gave us for constructing new forms of thinking as well as for smashing old certainties. She offers a lucid account of him as a thinker whose persistent aim was to challenge the self-evidence and seeming inevitability of our current experiences, practices and institutions by showing their historical development and, therefore, contingency. Extracts are taken from the whole range of Foucault's writings - his books, essays, lectures and interviews - including the major works History of Madness, The Order of Things, Discipline and Punish and The History of Sexuality

How to Read Foucault | Oksala Johanna | Paperback | Twarda

When one defines order as a sorting of priorities, it becomes beautifully clear as to what Foucault is doing here. With virtuoso showmanship, he weaves an intensely complex history of thought. He dips into literature, art, economics and even biology in emThe Order of Thingsem, possibly one of the most significant, yet most overlooked, works of the twentieth century. Eclipsed by his later work on power and discourse, nonetheless it was emThe Order of Thingsem that established Foucault's reputation as an intellectual giant. Pirouetting around the outer edge of language, Foucault unsettles the surface of literary writing. In describing the limitations of our usual taxonomies, he opens the door onto a whole new system of thought, one ripe with what he calls exotic charm. Intellectual pyrotechnics from the master of critical thinking, this book is crucial reading for those who wish to gain insight into that odd beast called Postmodernism, and a must for any fan of Foucault.

The Order of Things | Foucault Michel | Paperback | Twarda

With vast erudition, Foucault cuts across disciplines and reaches back into seventeenth century to show how classical systems of knowledge, which linked all of nature within a great chain of being and analogies between the stars in the heavens and the features in a human face, gave way to the modern sciences of biology, philology, and political economy. The result is nothing less than an archaeology of the sciences that unearths old patterns of meaning and reveals the shocking arbitrariness of our received truths. pIn the work that established him as the most important French thinker since Sartre, Michel Foucault offers startling evidence that man--man as a subject of scientific knowledge--is at best a recent invention, the result of a fundamental mutation in our culture.

The Order of Things | Foucault Michel | Twarda

Michel Foucault identified sexuality as one of the defining biopolitical technologies of the nineteenth and twentieth centuries. As Jemima Repo argues in this book, gender has come to be the major sexual signifier of the mid-twentieth and early twenty-first century. In fact, in this historical excavation of the biopolitical significance of the term, she argues that it could not have emerged at any other time. Repo shows that gender is not originally a feminist term, but emerged from the study of intersex and transsexual persons in the fields of sexology and psychology in the1950s and 1960s. Prior to the 1950s gender was used to refer to various types of any number of phenomena - sometimes sex, but not necessarily. Its only regular usage was in linguistics, where it was used to classify nouns as masculine, feminine, or neuter. In the mid-twentieth century, gender shifted from being a nominator of types to designating the sexual order of things. As with sexuality in the Victorian period,

Biopolitics of Gender | Repo Jemima | Twarda | Twarda

The Order of Things | Foucault Michel | Twarda | Twarda

pIn these two essays, two of the most important French thinkers of our time reflect on each other's work. In so doing, novelistessayist Maurice Blanchot and philosopher Michel Foucault develop a new perspective on the relationship between subjectivity, fiction, and the will to truth. The two texts present reflections on writing, language, and representation which question the status of the authorsubject and explore the notion of a neutral voice that arises from the realm of the outside. This book is crucial not only to an understanding of these two thinkers, but also to any overview of recent French thought.Michel Foucault 1927-1984 was the holder of a chair at the College de France. Among his works are Madness and Civilization, The Order of Things, Discipline and Punish, and The History of Sexuality Maurice Blanchot, born in 1907, is a novelist and critic. His works include Death Sentence, Thomas the Obscure, and The Space of Literature.p

Foucault Blanchot | Foucault Michel | Paperback | Twarda

Foucault counts as one of the great Post-Structuralists. Already his book-titles -History of Madness, Discipline and Punish, The Use of Pleasure, The Order of Things - show his entirely new way of looking at things. He is also one of those philosophers who have become more, not less, influential after their death. This should both please and worry us. It is pleasing that Foucault's key ideas have remained so vital and relevant but worrying also because the main one among these ideas is so disturbing. Man is erased, like a face drawn in the sand With this thesis of the end of Man, Foucault does not mean that we are about to die out as a species, for example through climate change. He means only that Man as we have hitherto known him, as a free, self-determined being spontaneously enjoying his own pleasures, is vanishing. This Man is being dissolved into the discourses and structures of our carceral society, in indeed just the way that a face drawn in the sand is dissolved by the incomin

Foucault in 60 Minutes | Ziegler Walther | Paperback | Twarda

A paradox lies at the heart of modernity the simultaneous demand to create ideas to make us better humans and communities, along with the contrary imperative that we criticize all ideals, especially the ones we have created. In philosophy we see this paradox most acutely in figures like Immanuel Kant, who states that we cannot know the essence of things and yet we must retain old ideas - God, freedom, and the soul - in order to become better and more ethical humans. Or in Friedrich Nietzsche, whose eternal recurrence, a self-created myth whose sole purpose is to get us to see the value in the everyday. This basic scheme - belief and un-belief - is one of the fundamental elements of modernity, manifesting itself in the philosophies of Herbert Marcuse and Michel Foucault, along with the theologies of Blaise Pascal, C.S. Lewis, William James, Sallie McFague, and Philip Clayton.brHow do we live out the values we know to be constructions This question holds captive our ability to solve publ

The Paradoxes of Modernity | Simpson Zachary | Twarda

Organism and Environment performs an examination into the way the contemporary life sciences are heralding a revolution of the most basic philosophical concepts of the Western world. Analyzing recent research in microbiology and evolution theory, the present book argues that these discourses are adding their voices to a growing chorus which is announcing a disruption, if not an end, to the understanding of the order of the world articulated in humanism. What does it mean to be a living substance Are there such things as living individuals How are living beings free The discourses of microbiology, the medical sciences and evolution theory are revealing a living organism that escapes the limited frame that Enlightenment humanism has traditionally used to answer these and other ontological questions. Appealing to the theoretical lenses provided by Michel Foucault, Hans Georg Gadamer and Gilles Deleuze, Organism and Environment offers an interpretation of the way the contemporary life scie

Organism and Environment | Winslow Russell | Twarda

Michel Foucault's historical and philosophical investigations have gone through many phases the archaeological, the genealogical, and the ethical among them. What remains constant, however, is the question that motivates them who are we Todd May follows Foucault's itinerary from his early history of madness to his posthumously published College de France lectures and shows how the question of who we are shifts and changes but remains constantly at or just below the surface of his writings. By approaching Foucault's work in this way, May is able to offer readers an engaging and illuminating way to understand Foucault. Each of Foucault's key works - Madness and Civilization, The Archaeology of Knowledge, The Order of Things, Discipline and Punish and the multi-volume History of Sexuality - are examined in detail and situated in an historical context that makes effective use of comparisons with other thinkers such as Freud, Nietzsche and Sartre. Throughout this book May strikes a balance 

The Philosophy of Foucault | May Todd | Paperback | Twarda

Michel Foucault identified sexuality as one of the defining biopolitical technologies of the nineteenth and twentieth centuries. As Jemima Repo argues in this book, gender has come to be the major sexual signifier of the mid-twentieth and early twenty-first century. In fact, in this historical excavation of the biopolitical significance of the term, she argues that it could not have emerged at any other time. Repo shows that gender is not originally a feminist term, but emerged from the study of intersex and transsexual persons in the fields of sexology and psychology in the1950s and 1960s. Prior to the 1950s gender was used to refer to various types of any number of phenomena - sometimes sex, but not necessarily. Its only regular usage was in linguistics, where it was used to classify nouns as masculine, feminine, or neuter. In the mid-twentieth century, gender shifted from being a nominator of types to designating the sexual order of things. As with sexuality in the Victorianbrperiod

The Biopolitics of Gender | Repo Jemima | Paperback | Twarda

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pHow can music withstand the death and destruction brought on by war Global conflicts of the 20th century fundamentally transformed not only national boundaries, power relations, and global economies, but also the arts and culture of every nation involved. An important, unacknowledged aspect of these conflicts is that they have unique musical soundtracks. iMusic in World War IIi explores how music and sound took on radically different dimensions in the United States and Europe before, during, and after World War II. Additionally, the collection examines the impact of radio and film as the disseminators of the war's musical soundtrack. Contributors contend that the European and American soundtrack of World War II was largely one of escapism rather than the lofty, solemn, heroic, and celebratory mode of war music in the past. Furthermore, they explore the variety of experiences of populations forced from their homes and interned in civilian and POW camps in Europe and the United States, 

Music in World War II | Potter Pamela M. | Twarda

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