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Stewart Edward White'sbooks were popular at a time when America was losing its vanishing wilderness. He was a keen observer of the beauties of nature and human nature, yet could render them in a plain-spoken style. I have salted in humor and sympathy for colorful characters such as canny Indian guides and "greenhorn" campers who carried too much gear. In the film The Ballad Of Buster Scruggs, the Coen brothers, there is an adaptation of the short story The Gal Who Got Rattled that is included in this book. Join us in these seven short stories chosen by the critic August Nemo and have a good reading! - The Girl Who Got Rattled - Billy's Tenderfoot - The River-Boss - The Saving Grace - The Strange Ride of Morrowbie Jukes - The Girl in Red - The Fifth Way

7 best short stories by Stewart Edward White

Foyles for books

From such cult hits as Raising Arizona (1987) and The Big Lebowski (1998) to major critical darlings Fargo (1996), No Country for Old Men (2007), and Inside Llewyn...

The Coen Brothers: This Book Really Ties the Films Together

ENbook.pl

pWhat does the Coen Brothers' iBarton Finki have in common with Norman McLaren's iSynchromyi Or with audiovisual sculpture Or contemporary music video iComposing Audiovisuallyi interrogates how the relationship between the audiovisual media in these works, and our interaction with them, might allow us to develop mechanisms for talking about and understanding our experience of audiovisual media across a broad range of modes. Presenting close readings of audiovisual artefacts, conversations with artists, consideration of contemporary pedagogy and a detailed conceptual and theoretical framework that considers the nature of contemporary audiovisual experience, this book attempts to address gaps in our discourse on audiovisual modes, and offer possible starting points for future, genuinely transdisciplinary thinking in the field.p

Composing Audiovisually | Harris Louise | Twarda

pIn this first comprehensive approach to Jewish humor focused on the relationship between humor and American Jewish practice, Jennifer Caplan calls us to adopt a more expansive view of what it means to do Jewish, revealing that American Jews have, and continue to, turn to humor as a cultural touchstone. Caplan frames the book around four generations of Jewish Americans from the Silent Generation to Millennials, highlighting a shift from the utilization of Jewish-specific markers to American-specific markers. pJewish humor operates as a system of meaning-making for many Jewish Americans. By mapping humor onto both the generational identity of those making it and the use of Judaism within it, new insights about the development of American Judaism emerge. Caplan's explication is innovative and insightful, engaging with scholarly discourse across Jewish studies and Jewish American history it includes the work of Joseph Heller, Larry David, Woody Allen, iSeinfeldi, the Coen brothers films, 

Funny, You Don't Look Funny | Caplan Jennifer | Twarda

pstrongBOLO Top Read of 2017strongppstrongPopSugar Best Book of 2017strongpp ppstrongFrom the Edgar Award-nominated author of Shovel Ready, a blistering new thriller that Dennis Lehane calls propulsive and meaningfulstrongppstrongFor fans of Cormac McCarthy, Jim Thompson, the Coen Brothers, and emLostemstrongppImagine a place populated by criminals--people plucked from their lives, with their memories altered, who've been granted new identities and a second chance. Welcome to The Blinds, a dusty town in rural Texas populated by misfits who don't know if they've perpetrated a crime or just witnessed one. What's clear to them is that if they leave, they will end up dead.pp For eight years, Sheriff Calvin Cooper has kept an uneasy peace--but after a suicide and a murder in quick succession, the town's residents revolt. Cooper has his own secrets to protect, so when his new deputy starts digging, he needs to keep one step ahead of her--and the mysterious outsiders who threaten to tear the 

The Blinds | Sternbergh Adam | Paperback | Twarda

bThe drama of iIn Cold Blood imeets the stylings of a Coen brothers film in this long-lost manuscript from musicologist Mack McCormick, whose research on blues icon Robert Johnson's mysterious life and death became as much of a myth as the musican himselfb pLittle is known about blues master Robert Johnson, giving rise to legends that he gained success by selling his soul to the devil. iBiography of a Phantom A Robert Johnson Blues Odysseyi is musicologist Mack McCormick's all-consuming search to uncover Johnson's life story. McCormick spent years of his career reconstructing Johnson's mysterious life and death, but never made public his discoveries. iBiography of a Phantom ipublishes his compelling work for the first time, including 40 unseen black-and-white photographs. pThe book explores McCormick's sleuthing for Johnson's loved ones and to gather oral histories. An editor's preface and afterword from Smithsonian curator John W. Troutman reckons with the damage McCormick did to the 

Biography of a Phantom | McCormick Robert Mack | Twarda

bThe drama of iIn Cold Blood imeets the stylings of a Coen brothers film in this long-lost manuscript from musicologist Robert Mack McCormick, whose research on blues icon Robert Johnson's mysterious life and death became as much of a myth as the musician himself p This is a human and humane book, an insightful exploration of the biographer's craft. ... McCormick's book makes you feel what we lost when Johnson died young. --iNew York Timesi p iiReads like noir fiction. It's a detective story riddled with fatalism and ambiguity carried out by someone who, like the archetypal noir hero, isn't a detective but an ordinary guy in a dismal, often violent setting searching for what can't be found. i--iWall Street Journaliib pWhen blues master Robert Johnson's little-known recordings were rereleased to great fanfare in the 1960s, little was known about his life, giving rise to legends that he gained success by selling his soul to the devil. iBiography of a Phantom A Robert Johnson Blues Odysse

pThis collection of fourteen essays explores how the dominant media of our time - film and television - have engaged with the golden age as formulated in the Western classical tradition.p pDrawing on ancient Greek and Roman literature and culture, from Hesiod to Suetonius, these essays assess the far-reaching influence of the golden age concept on screen texts ranging from prestige projects like Gladiator and HBO's Rome, to cult classics Xanadu and Hercules The Legendary Journeys, made by auteurs including Jules Dassin and the Coen Brothers. The book also looks at fantasy Game of Thrones, science fiction Serenity, horror The Walking Dead, warcombat the 300 franchise Centurion, and the American Western.p

Screening the Golden Ages of the Classical Tradition | E. Safran Meredith | Twarda | Twarda

Examining the evolution of American film comedy since the beginning of the sound era c. 1930, Christopher Beach focuses on how language, class, and social relationships in early sound comedies by the Marx Brothers, the screwball comedies of the 1930s by Capra, Sturges and others, and 1950s comedies of Frank Tashlin and Vincente Minnelli, and contemporary films by Woody Allen, Whit Stillman, and the Coen brothers. Beach argues that sound and narrative expanded the semiotic and ideological potential of a film, providing moments of genuine social critique and also mass entertainment. Christopher Beach teaches at the University of California, Irvine, and has taught at the University of Montana and Claremont Graduate University. He is the author of three books on American poetry, including Poetic Culture Northwestern, 1999. This is his first book on film.

Class, Language, and American Film Comedy | Beach Christopher | Paperback | Twarda

In 2005, Cormac McCarthy's novel, iNo Country for Old Meni, was published to wide acclaim, and in 2007, Ethan and Joel Coen brought their adaptation of McCarthy's novel to the screen. The film earned praise from critics worldwide and was honored with four Academy AwardsR, including Best Picture, Best Director, and Best Adapted Screenplay. pIn No Country for Old Men iFrom Novel to Filmi, scholars offer varied approaches to both the novel and the award-winning film. Beginning with several essays dedicated entirely to the novel and its place within the McCarthy canon, the anthology offers subsequent essays focusing on the film, the adaptation process, and the Coen Brothers more broadly. The book also features an interview with the Coen brothers' long-time cinematographer Roger Deakins. This entertaining and enriching book for readers interested in the Coen Brothers' films and in McCarthy's fiction is an important contribution to both literature and film studies.

No Country for Old Men | King Lynnea Chapman | Twarda

pstrongA distinctive voice and an offbeat worldview...All of these stories take place in Coen Brothers Land, a parallel universe similar to our own--except it's weirder, funnier, and better edited. -- emNew York Times Book ReviewemstrongppstrongThe fiction debut of one of the most distinctive filmmakers working today, Ethan Coen.strongppIn emGates of Edenem, Ethan Coen exhibits on the printed page the striking, twisted, yet devastatingly on-target vision of modern American life familiar from his movies. The world within the world we live in comes alive in fourteen brazenly original tragicomic short stories--from the Midwest mob war that fizzles due to the principals' ineptness to the trials of a deaf private eye with a blind client to a fugitive's heartbreaking explanation for having beheaded his wife, alarming in that it almost makes sense.p

Gates of Eden | Coen Ethan | Paperback | Twarda

The Blinds | Sternbergh Adam | Twarda | Twarda

bFans . . . will appreciate this oversized guide to their offbeat oeuvre. 8213iNewsdayib brbA great gift for any Coen fan-boy or fan-girl in your life. 8213NPR'si Pop Culture Happy Hourib brbFilled with glossy, well-chosen pictures as well as thoughtful, eloquent analysis. 8213iFilmmaker ib p Ethan and Joel Coen have cultivated a bleakly comical, instantly recognizable voice in modern American cinema. They have given movie fans classics of all types--comedy, history, drama, romance. Their movies have a distinctive style and point of view hilarious, sad, thoughtful, musical, sometimes all at once. When someone says a movie is Coen Brothers-like, every serious movie lover knows exactly what they mean. p In iThe Coen Brothers This Book Really Ties the Films Togetheri, film critic Adam Nayman carefully sifts through their complex cinematic universe in an effort to plot, as he puts it, some Grand Unified Theory of Coen-ness. He covers all their popular, award-winning, and unforgettable crea

The Coen Brothers | Nayman Adam | Twarda

Screening the Golden Ages of the Classical Tradition | E. Safran Meredith | Paperback | Twarda

In this volume, Richard Gilmore explores film as a channel through which to engage in philosophical reflection and analyzes the relationship between philosophy and film. This book argues that philosophy and film can and should be used for the amelioration of life's difficulties and the promotion of life's boons. Gilmore identifies how philosophy and film complement and enrich one another and explores their relationship by connecting classic wisdom texts to significant movies. For example, the volume analyzes the Coen brothers' films iThe Big Lebowski iand iA Serious Man iin light ofi The Book of Jobi. Gilmore considers the ancient idea of philosophy as spiritual exercise and a way of life. The volume concludes by examining what the author labels sublime conversations as the highest expression of philosophy. The book identifies and dissects these conversations in movies directed by the likes of Robert Bresson, Yasujir333 Ozu, Jean-Luc Godard, and Ingmar Bergman, among others.br

Searching for Wisdom in Movies | Gilmore Richard | Twarda

The concepts and theories surrounding the aesthetic category of the grotesque are explored in this book by pursuing their employment in the films of American auteurs Tim Burton, Terry Gilliam, the Coen Brothers and David Lynch. The author argues that interpreting these directors' films through the lens of the grotesque allows us1to situate both the auteurs and the films within a long history of the grotesque in art and aesthetics. This cultural tradition effectively subsumes the contribution of any artist or1genre that intersects it but also affords the artist or genre--the auteur and the genre filmmaker--a pantheon and an abundance of images, themes, and motifs through which he1or she can subversively represent the world and our place in it.

Masters of the Grotesque | Weishaar Schuy R. | Twarda

bFilm and television director Barry Sonnenfeld's outrageous and hilarious memoir traces his idiosyncratic upbringing in New York City, his breaking into film as a cinematographer with the Coen brothers, and his unexpected career as the director behind such huge film franchises as iThe Addams Familyi and iMen in Blacki, and beloved work like iGet Shortyi, iPushing Daisesi, i iand iA Series of Unfortunate Events.ib pBarry Sonnenfeld's philosophy is, Regret the Past. Fear the Present. Dread the Future. Told in his unmistakable voice, iBarry Sonnenfeld, Call Your Mother iis a laugh-out-loud memoir about coming of age. Constantly threatened with suicide by his over-protective mother, disillusioned by the father he worshiped, and abused by a demonic relative, Sonnenfeld somehow went on to become one of Hollywood's most successful producers and directors. pWritten with poignant insight and real-life irony, the book follows Sonnenfeld from childhood as a French horn player through graduate fil

Barry Sonnenfeld, Call Your Mother | Sonnenfeld Barry | Twarda

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