pbA focused investigation of Whistler's watercolors that introduces readers to a rarely seen aspect of the artist's creative outputb p In the 1880s, James McNeill Whistler 1834-1903 reinvented himself through the medium of watercolor. At the time, excellence in watercolor was most often associated with British artists, and most notably with the work of J. M. W. Turner 1775-1851. Whistler's embrace of watercolor allowed the expatriate artist to present himself as an heir to the great Turner, while at the same time creating easily portable works that could supply an American market and, the artist hoped, help secure his art-historical legacy in his home country. Indeed, it was the American Gilded Age industrialist Charles Lang Freer who would amass the largest collection of Whistler's watercolors, eventually bequeathing them to the Smithsonian in 1906.ppThis publication is the first systematic study of Freer's amazing treasure trove of more than 50 watercolors by Whistler and includes fi