For thirty-five years iVisual Thinking ihas been the gold standard for art educators, psychologists, and general readers alike. In this seminal work, Arnheim, author of iThe Dynamics of Architectural Form, Film as Art, Toward a Psychology of Art, iand iArt and Visual Perception, iasserts that all thinking not just thinking related to art is basically perceptual in nature, and that the ancient dichotomy between seeing and thinking, between perceiving and reasoning, is false and misleading. An indispensable tool for students and for those interested in the arts.