Originally published in 1949, Gilbert Highet's seminalem The Classical Traditionem is a herculean feat of comparative literature and a landmark publication in the history of classical reception. As Highet states in the opening lines of his Preface, this book outlines the chief ways in which Greek and Latin influence has moulded the literatures of western Europe and America. With that simple statement, Highet takes his reader on a sweeping exploration of the history of western literature. To summarize what he covers is a near-impossible task. Discussions of Ovid and French literature of the Middle Ages and Chaucer's engagement with Virgil and Cicero lead, swiftly, into arguments of Christian versus pagan works in the Renaissance, Baroque imitations of Seneca, and the rebirth of satire. Building momentum through Byron, Tennyson, and the rise of art of art's sake, Highet, at last, arrives at his conclusion the birth and establishment of modernism. Though his humanist style may appear out-