The French writer Guy de Maupassant has inspired many great filmmakers. Among those to adapt his short stories and novels were Jean-Luc Godard, Kenji Mizoguchi, Walerian Borowczyk, Harry Kümel, Luis Buñuel and Christian-Jacque. But it was arguably Max Ophuls, with his 1952 feature, Le Plaisir, who proved to be the most adept.Le Plaisir takes three of de Maupassant s stories as its source: in Le Masque, a masked dandy conceals a secret; in La Maison Tellier, the girls of a small-town brothel are taken on an outing to attend the communion of the madam s niece; and in La Modèle, a painter falls in love with his model, but the course of love isn t as smooth as either expected.To tell these tales, Ophuls assembled a remarkable cast of French talent, including Jean Gabin (Pépé le Moko, La Grande illusion), Pierre Brasseur (Eyes Without a Face, Spotlight on a Murderer), Danielle Darrieux (Madame de..., Les Demoiselles de Rochefort), Claude Dauphin (Casque d Or, Barbarella), Simone Simon (Cat