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Indiana Univ Pr
pTake a tour of the house where a microwave killed a gremlin, a typewriter made Jack a dull boy, a sewing machine fashioned Carrie's prom dress, and houseplants might kill you while you sleep. In iHousehold Horror Cinematic Fear and the Secret Life of Everyday Objects, i Marc Olivier highlights the wonder, fear, and terrifying dimension of objects in horror cinema. Inspired by object-oriented ontology and the nonhuman turn in philosophy, Olivier places objects in film on par with humans, arguing, for example, that a sleeper sofa is as much the star of iSistersi as Margot Kidder, that iThe Exorcist iis about a possessed bed, and that iRosemary's Babyi is a conflict between herbal shakes and prenatal vitamins. iHousehold Horrori reinvigorates horror film criticism by investigating the unfathomable being of objects as seemingly benign as remotes, radiators, refrigerators, and dining tables. Olivier questions what Hitchcock's iPsychoi tells us about shower curtains. What can we learn from
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