Just out of college, Patricia Hampl was mesmerized by a Matisse painting she saw in the Art Institute of Chicago an aloof woman gazing at goldfish in a bowl, a mysterious Moroccan screen behind her. This woman seemed a welcome secular version of the nuns of Hampl's girlhood, free and untouchable, a poster girl for twentieth-century feminism. In iBlue Arabesque, i Hampl explores the allure of that woman, immersed in leisure, so at odds with the increasing rush of the modern era. Her tantalizing meditation takes us to the Cote d'Azur and North Africa, from cloister to harem, pondering figures as diverse as Eug ne Delacroix, F. Scott Fitzgerald, and Katherine Mansfield. Returning always to Matisse and his obsessive portraits of languid women, Hampl discovers they were not decorative indulgences but surprising acts of integrity. pMoving with the life force that Matisse sought in his work, iBlue Arabesquei is a dazzling tour de force. br