piA Taste of Honeyi 1961 is a landmark in British cinema history. In this book, Melanie Williams explores the many, extraordinary ways in which it was trailblazing. It is the only film of the British New Wave canon to have been written by a woman - Shelagh Delaney, adapting her own groundbreaking stage play. At the behest of director Tony Richardson and his company, Woodfall, it was one of the first films to be made entirely on location, and was shot in an innovative, rough, poetic style by cinematographer Walter Lassally. It was also the launchpad for a new type of young female star in Rita Tushingham. pTushingham plays the young heroine, Jo, who finds she is pregnant after her love affair with Jimmy Paul Danquah, a Black sailor. When Jimmy's ship sails away, Jo is comforted and supported by her gay friend Geoff Murray Melvin, while her unreliable mother, Helen Dora Bryan, has her own life to lead. Candid in its treatment of matters of gender, class, ethnicity, sexuality and motherhoo