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Throughout his career and in the decades following his premature death in 1960, Albert Camus gained a large and avid international readership. He has also attracted the interest of scholars from many disciplines, specialists in literature, theater, philosophy, theology, political science, history, psychology, medicine, and law. This volume offers original contributions, while also reprinting a sampling of some of the more trenchant earlier essays about the man and his work. Essays discuss the reception of Camus's oeuvre, themes that have inspired discussion, points of continuing controversy, and Camus's own reaction to his hostile critics. Also discussed is his most famous work, The Stranger.

Critical Insights: Albert Camus: Print Purchase Includes Free Online Access | Kellman Steven G. | Keménykötésű

In this vibrant, engaging biography of Albert Camus, the internationally acclaimed author of The Stranger, The Plague, and The Fall, French writer and journalist Olivier Todd has richly tapped resources never before availablepersonal correspondence, notebooks, public records, as well as exclusive interviews with Camus's family, friends, fellow workers, mentors, and lovers. What emerges is the study of a man caught in conflicts between family loyalties and his own passionate nature, between the call to political action and devotion to his art, between his support of the native Algerians and his identification with the forgotten poor whites. Exploring Camus's impoverished childhood in the Algerian city of Belcourt, his underground activities during the Occupation in Paris, the intrigues of the French literati who embraced him after the publication of his first novel, L'Etranger, Todd uncovers the solitary private man behind the mask of his celebrity. He shows us a writer isolated by his 

Albert Camus: A Life | Todd Olivier | Keménykötésű

It seems so important as you do what you do, But in times to come no one remembers you. Your actions are forgotten and your feelings destroyed. You've become one with the nihilist void. Inspired by real-life events, as well as by classic philosophical novels such as Jean-Paul Sartre's Nausea, Albert Camus' The Stranger, Yukio Mishima's Confessions of a Mask, and Chuck Palahniuk's Fight Club, The Nihilist tells the story of a philosophy professor caught in the grips of nihilistic despair. Following the death of his mother and the increasingly bizarre deaths of his closest friends, the nameless main character is afflicted with a mysterious malady that forces him to confront the absurdity of his own meaningless existence. Brain parasites, scatological dreams, punk rock, and spontaneous human combustion appear alongside the ideas of Heraclitus, Socrates, Diogenes, Schopenhauer, Nietzsche and Heidegger. The result is a wryly humorous philosophical allegory of hopelessness and resignation in

The Nihilist: A Philosophical Novel | Marmysz John | Keménykötésű

iThe Strangeri is a rite of passage for readers around the world. Since its publication in France in 1942, Camus's novel has been translated into sixty languages and sold more than six million copies. It's the rare novel that's as at likely to be found in a teen's backpack as in a graduate philosophy seminar. If the twentieth century produced a novel that could be called ubiquitous, iThe Strangeri is it. p How did a young man in his twenties who had never written a novel turn out a masterpiece that still grips readers more than seventy years later With iLooking for The Strangeri, Alice Kaplan tells that story. In the process, she reveals Camus's achievement to have been even more impressive--and more unlikely--than even his most devoted readers knew. p Born in poverty in colonial Algeria, Camus started out as a journalist covering the criminal courts. The murder trials he attended, Kaplan shows, would be a major influence on the development and themes of iThe Strangeri. She follows Cam

Looking for the Stranger: Albert Camus and the Life of a Literary Classic | Kaplan Alice | Keménykötésű

I had a series of revelations during my cancer treatments and, finally, my stroke. It came to me in my dreams and visions. I expressed them through short stories, poetry, and dreams. John G. Spirou Birth 08241968 Queens, New York, New York, from birth to twelve years old. Stroudsburg, Pennsylvania, from twelve to twenty-five years old. Tarpon Springs, Florida, until the present. I used to enjoy working, bike riding, skiing, reading, walking, hunting, camping, and traveling. Now I am cooped up in this house. My mentors include The Beatles, John Lennon, Abraham Lincoln, my father, George, and my wife and children. Especially, my Lord and Savior, Jesus the Christ, and his servant David, king of Israel. My inspiration for my book is Franz Kafka, The Metamorphous, and Albert Camus, The Stranger.

Muses, Poetry, and Dreams of a Cancer Patient: Volume I | Spirou John | Keménykötésű

A comprehensive study guide offering in-depth explanation, essay, and test prep for selected works by Albert Camus, winner of the Nobel Prize for Literature in 1957. Titles in this study guide include The Stranger, The Myth of Sisyphus, The Rebel, The State of Siege, The Misunderstanding, The Just Assassins, Requiem for a Nun, The Possessed, The First Man, The Fall, Exile and the Kingdom, The Plague, Caligula, Summer, Betwixt and Between, Nuptials, Letters to a German Friend, and Summer. As a notable French Algerian writer of philosophical literature in the early 1940s, Camus's essays, novels, and playwrights focused on his moralist political stance and brought absurdism to light in the era of twentieth-century philosophy. Moreover, Camus is said to have written on every subject that demanded a position, which can be seen in his diverse literary works on ethics, humanity, and politics. This Bright Notes Study Guide explores the context and history of Camus's classic work, helping stude

Study Guide to The Stranger and Other Works by Albert Camus | Intelligent Education | Keménykötésű

brIn this disturbing book, Giovanni Catelli seeks to solve the mysterious 1960 car crash that killed Albert Camus and his publisher, Michel Gallimard, who was behind the wheel. Based on meticulous research, he builds a compelling case that Camu--author of emThe Stranger, The Plagueem and emThe Myth ofem emSisyphusem--was the victim of premeditated murder. Thus it was that the 46-year-old French Algerian philosopher, journalist and Nobel laureate was silenced--by the KGB. pThe Russians had a motive Camus had campaigned tirelessly against the Soviet crushing of the 1956 Hungarian Revolution, denouncing the Bolshevik propagandist and Soviet foreign minister Dmitri Shepilov. He had also vociferously supported the awarding of the Nobel Prize to the dissident novelist Boris Pasternak, which enraged Moscow. pSixty years after Camus' death, Catelli takes us back to a murky period in the Cold War. He probes the relationship between Camus and Pasternak, the fraught publication of emDoctor Zhivag

Death of Camus | Catelli Giovanni | Keménykötésű

The standard interpretation keeps repeating that Camus is the prototypical absurdist thinker. Such a reading freezes Camus at the stage at which he wrote iThe Stranger iand iThe Myth of Sisyphus.i By taking seriously how 1 Camus was always searching and 2 the rest of his corpus, iAlbert Camus and the Philosophy of the Ordinary icorrects the one-sided, and thus faulty, depiction of Camus as committed to a philosophy of absurdism. His guiding project, which he explicitly acknowledged, was an attempt to get beyond nihilism, the general dismissal of value and meaning in ordinary life. Tracing this project via Camus's works, iAlbert Camus and the Philosophy of the Ordinaryii, i offers a new lens for thinking about the well-known author.

Albert Camus and the Philosophy of the Ordinary | Boisvert Raymond D. | Keménykötésű

bThe first novel from the Nobel Prize-winning author lays the foundation for iThe Stranger, itelling the story of an Algerian clerk who kills a man in cold blood. brbbrIn iA Happy Deathi, written when Albert Camus was in his early twenties and retrieved from his private papers following his death in I960, revealed himself to an extent that he never would in his later fiction. For if iA Happy Death iis the study of a rule-bound being shattering the fetters of his existence, it is also a remarkably candid portrait of its author as a young man. pAs the novel follows the protagonist, Patrice Mersault, to his victim's house -- and then, fleeing, in a journey that takes him through stages of exile, hedonism, privation, and death -it gives us a glimpse into the imagination of one of the great writers of the twentieth century. For here is the young Camus himself, in love with the sea and sun, enraptured by women yet disdainful of romantic love, and already formulating the philosophy of action 

Happy Death | Camus Albert | Keménykötésű

bWith the intrigue of a psychological thriller, iThe Strangeri--Camus's masterpiece--gives us the story of an ordinary man unwittingly drawn into a senseless murder on an Algerian beach. With an Introduction by Peter Dunwoodie translated by Matthew Ward.b pBehind the subterfuge, Camus explores what he termed the nakedness of man faced with the absurd and describes the condition of reckless alienation and spiritual exhaustion that characterized so much of twentieth-century life. piThe Strangeri is a strikingly modern text and Matthew Ward's translation will enable readers to appreciate why Camus's stoical anti-hero and shydevious narrator remains one of the key expressions of a postwar Western malaise, and one of the cleverest exponents of a literature of ambiguity. --from the Introduction by Peter Dunwoodie pFirst published in 1946 now in translation by Matthew Ward.

The Stranger | Camus Albert | Keménykötésű

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