p emDrawing in the Present Tenseem explores the variety of ways in which contemporary artists from around the world have come to approach drawing as the primary element of their practice. One which is autonomous an end in itself, rather than a means to an end in another, more substantial medium. In an era of advanced technologies where image production has accelerated--potentially beyond the capacity of human attention--what values can be attributed to the slow, deliberate process of drawing by handppThe artworks featured in this volume are not confined to traditional tools one can also draw on a computer, tablet, or smartphone, and examples of this are incorporated into the narrative as one mediumamong many. Sections are grouped thematically by specific approaches, including abstraction and figuration, nature and artifice, social observation and critique. With essays and spreads for each section, the book's selection of seventy contemporary international artists of diverse backgrounds