Andean Hybrid Baroque: Convergent Cultures in the Churches of Colonial Peru | Bailey Gauvin | Keménykötésű

Áruház

ENbook.hu

Márka

Univ Of Notre Dame

piThe Andean Hybrid Baroquei is the first comprehensive study of the architecture and architectural sculpture of Southern Peru in the late colonial period 1660s-1820s, an enduring and polemical subject in Latin American art history. In the southern Andes during the last century and a half of colonial rule, when the Spanish crown was losing its grip on the Americas and Amerindian groups began organizing into activist and increasingly violent political movements, a style of architectural sculpture emerged that remains one of the most vigorous and creative outcomes of the meeting of two cultures. The Andean Hybrid Baroque also known as Mestizo Style, was a flourishing school of carving distinguished by its virtuoso combination of European late Renaissance and Baroque forms with Andean sacred and profane symbolism, some of it originating in the pre-Hispanic era. The Andean Hybrid Baroque found its genesis and most comprehensive iconographical expression in the architecture of Catholic chur

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