In the mid-1960s, the runaway success of Sergio LeonesDollarstrilogy gave rise to an explosion of similar productions as filmmakers by the dozen sought to capitalize on this new, uniquely Italian take on the western, characterized by their deeply cynical outlook, morally compromised antiheroes and unflinching depictions savage violence. This specially curated selection gathers together four outstanding examples of the genre from the height of its popularity, all centred around a theme of revenge. In Lucio Fulcis (Zombie Flesh Eaters) Massacre Time (1966), Franco Nero (Django) and George Hilton (The Case of the Scorpions Tail) star as estranged brothers forced to band together against the powerful businessman and his sadistic son (Nino Castelnuovo, Strip Nude for Your Killer) whove seized control of their hometown. In Maurizio Lucidis (The Sicilian Cross) My Name is Pecos (1966), Robert Woods (Johnny Colt) stars as the eponymous Mexican gunslinger, returning to Houston to set